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Clasics in Ñspel: IN THE BLEAK MIDWINTER by Christina Rossetti

Clasics in Ñspel: IN THE BLEAK MIDWINTER by Christina Rossetti

15/12/2022
‘Mr Sunak said that “fairness” must be the overarching principle, and is fond of pointing out how tolerant and welcoming he thinks the UK is.’ Photograph: Reuters

In Ñspel: The Guardian view on Sunak’s asylum plan: tough talk can’t mask past failures

15/12/2022
Clasics in Ñspel: That you were once unkind befriends me now - William Shakespeare's Sonnet 120

Clasics in Ñspel: That you were once unkind befriends me now – William Shakespeare’s Sonnet 120

14/12/2022
‘Mr Scholz is tasked with finding an updated business model for Europe’s most powerful economy.’ Photograph: Clemens Bilan/EPA

In Ñspel: The Guardian view on Olaf Scholz’s Germany: reading the signs of new times

14/12/2022
Writing is ‘a vocation, admittedly with big potential rewards, but also with a big risk of penury and exploitation’. Photograph: Sean Gladwell/Getty Images

In Ñspel: The Guardian view on declining authors’ pay: an unequal burden

14/12/2022
Clasics in Ñspel: WESSEX HEIGHTS by Thomas Hardy

Clasics in Ñspel: WESSEX HEIGHTS by Thomas Hardy

14/12/2022
The Guardian, 4 October 2012: "The watery verse of a poet who lives on a narrowboat is to be inscribed on new lock gates in the hope it will inspire people to explore their local waterways."

About Poets: JO BELL

13/12/2022
Clasics in Ñspel: What potions have I drunk of Siren tears - William Shakespeare's Sonnet 119

Clasics in Ñspel: What potions have I drunk of Siren tears – William Shakespeare’s Sonnet 119

13/12/2022
The Oldham Coliseum, ‘another theatre cut off without a penny’. Photograph: PR image

In Ñspel: The Guardian view on cuts in theatre funding: a threat to playwriting

13/12/2022
From Czech: KEEP THE RECEIPT by Karel Čapek

From Czech: KEEP THE RECEIPT by Karel Čapek

13/12/2022
Clasics in Ñspel: Like as, to make our appetites more keen - William Shakespeare's Sonnet 118

Clasics in Ñspel: Like as, to make our appetites more keen – William Shakespeare’s Sonnet 118

12/12/2022
A camp for internally displaced people, near Baidoa in Somalia, one of five countries currently experiencing ‘catastrophic hunger’. Photograph: Gary Calton/The Observer

In Ñspel: The Observer view on a humanitarian calamity in the making

12/12/2022
Guardian, 17 August 2014: Andy Goldsworthy: 'Lying down in Times Square in the rain is bound to attract attention'

About Artists: ANDY GOLDSWORTHY

12/12/2022
The former colliery site in Westhaven is to be reopened with the first deep coalmine approved in the UK for 30 years. Photograph: Christopher Furlong/Getty Images

In Ñspel: The Observer view on the indefensible decision to open a deep coalmine in a climate crisis

12/12/2022
Health workers take part in a march in central London to demand a pay rise. Photograph: Belinda Jlao/Sopa Images/Rex/Shutterstock

In Ñspel: The Observer view on why public sector workers deserve a fair pay deal and have no choice but to strike

12/12/2022
Observer, 3 February 2013: "Rappers have so much power to do good and they squander it." Photo: Antonio Olmos.

About Poets: GEORGE THE POET (George Mpanga)

12/12/2022
‘Voters will probably need to vote tactically to ensure that Keir Starmer’s Labour party stands a chance of winning power.’ Photograph: House of Commons/PA

In Ñspel: The Guardian view on proportional representation: Labour should back it

12/12/2022
Pupils at Winchester College, Rishi Sunak’s former school. Photograph: Mark Draisey/Alamy

In Ñspel: The Observer view on radical change being needed to overcome elitism in education

11/12/2022
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THUMBS UP FOR NIA AND NIALL │ September - December 2023 │ 80 x 60 cm, acrylics

TOP POSTS, LAST 48 HOURS

  • From Czech: LAST JUDGMENT by Karel Čapek
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  • MARK BRADFORD: TIDE │ Beecroft Art Gallery, Southend-on-Sea → 27 June 2015
  • From Czech: THE FORTUNE TELLER by Karel Čapek
  • Frank Poems: KUBLA KHAN'T
  • About Poets: VIDYAN RAVINTHIRAN
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  • KEN KIFF: THE HILL OF DREAMS │ Marlborough Fine Art, London → 17 April 2015
  • Clasics in Ñspel: Thou blind fool, Love, what dost thou to mine eyes - William Shakespeare's Sonnet 137
  • About Artists: GLENN BROWN

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