Rivane Neuenschwander prepares ribbons printed with wishes for “I Wish Your Wish,” part of a show of her art at the New Museum, New York, in 2010. Photo: Suzanne DeChillo/The New York Times
Reflections on Girl. 1990. Lithograph, screenprint on paper and metalised PVC on paper. 1146 x 1391 mm
“Az pāt v RFLẊNZ at Modn Wn in 2015, a spešl ʈri-rūm ĀTISTRŪMZ dsple wl b dedicetd t wrcs bî rnând Americn ātist Rý Lictnstîn (1923-1997). Lictnstîn wz wn v ɖ most radicl n influenšl ātists v ɖ twentiiʈ senčri. Wɖ grt integṛti t mtirı̣lz n tecnīcs, n wɖ inṭlcčl rigr n wit, Lictnstîn crietd vižli strîcñ wrcs ɖt cntiny t pṛvoc qesčnz abt hâ imijz prmiet âr lîvz. Ɖs dsple wl brñ tgɖr a nyli asmbld grūp v wrcs bî Lictnstîn, šôn az pāt v ĀTISTRŪMZ fr ɖ frst tîm n md psbl ʈancs t ɖ jeṇrosti v ɖ Roy Lictnstîn Fândešn.”
In the Car. 1963. Oil and magna on canvas. 172.00 x 203.50 cm (framed: 180.60 x 212.50 x 6.20 cm)
“Cn y tel ɖ dfṛns btwn an Old Mastr pêntñ n a cntmprri replica?
Wrcñ wɖ cnspčl ātist Dug Fišbôn w r incurijñ y t têc a clôsr lc at âr Prmnnt C̣lẋn. Wn v âr wrcs hz bn rplest bî a replic̣pêntñ swst fṛm an ātists’ wrcšop in Čîna n huñ in ɖ frem ḅloññ t ɖ orijinl. Fr ʈri munʈs ɖ îdntti v ɖ wrc wl rmen cnsild. Test yr dsrnñ î n tel s ẇč pêntñ y ʈnc it z.
Mni Old Mastr pêntrz, fṛm Tišn t Rūbnz, incurijd ɖ copiyñ v ɖer wrc îɖr in ɖer wrcšops bî aprntisz or bî indipndnt copiists. Ɖr r svṛl xamplz in Dulij’z c̣lẋn, includñ wcšop pêntñz sč az Vīṇs n Adonis n copiz pêntd fṛm ɖ orijinl bî ātists vizitñ ɖ Gaḷri, sč az Cunstbl’z copi v Rîzdel’z Windmilz. Tde, fems pêntñz r biyñ rpṛdyst in ɖ miłnz, wɖ Čîna dominetñ ɖs xpwtmācit.
Fr ʈri munʈs (10 Febrri – 26 Êpṛl) y r invîtd t fînd ɖ replicetd pêntñ, ẇč hañz in plês v ɖ orijinl in ɖ prmnnt dsple v 270 wrcs. Winñ ansrz wl b entrd intu a drw t win wn v fîv print-on-dmand rīpṛduẋnz v čozn wrcs in ɖ Gaḷri’z c̣lẋn. Ɖ ansr wl b rvild on 28 Êpṛl, ẇn orijinl n replica wl hañ sîd bî sîd. Cm n cmper ɖ tu.
Photo: Robert Sanderson
Photo: Stuart Leech
Photograph: Carl Court/Getty
Côkretd bî cnsepčl ātist Dug Fišbôn n Dr Zêvı̣r Bre, Āturo n Holi Melosi, Čīf Kretr at ɖ Gaḷri.
…”
“The US conceptual artist Doug Fishbone at Dulwich Picture Gallery. ‘My hope is that people will come here and really drink in the paintings,’ he says. Photograph: Carl Court/Getty”
“David Zvirnr z plizd t priznt ɖ gaḷri’z frst xibišn wɖ Caṛl Bov. On vy at âr Lundn lcešn, it fīčrz rīsnt wrcs bî ɖ Ny Ywc-bêst ātist, nôn fr hr simpl yt intric̣t asmblijz v fând n md objcts.
Ɖ Plastc Ynit grūps tgɖr lj-scêl sculpčrz md fṛm načṛl n industrı̣l mtirı̣lz, includñ slicli manyfacčrd stênls-stīl glifs, intric̣t metlcrtnz, Î-bīm strucčrz, stīl n concrit peḍstlz, šelz, n pīcocfeɖrz. In lîn wɖ Bov’z brwdr practis, ɖe r plêst in cerfl rlešn bʈ t wn anɖr n t ɖ gaḷrīspês, wɖ for wrcs asînd t č rūm.
On ɖ grândflor, Secnd Cātīžn Sculpčr—an xpansv stīl net—dvîdz ɖ fruntspês intu tu īql fīldz, ɖus crietñ a si-ʈru seṗrešn btwn ɖ uɖr sculpčrz. Wn v ɖz, a stīl Î-bīm coḷm ṣpwtñ a hymn-sîzd pìs v petrifîd wŭd, adz a sens v inditrminbl temṗraḷti t ɖ insṭlešn, n az sč riinfwsz Bov’z undrstandñ v sculpčr az dyrešnl. Hr concrīt peḍstl wɖ bras kbz blrz ɖ definišnz v sculpčr n bês, n apirz a slfconšs rspons t moḍnist dsplemeʈdz. Its tîtl, I, quartz pyx, who fling muck beds, z wn v ɖ fy sentnsz evr cnstructd t includ ol letrz v ɖ alfbet jst wns (wɖ ɖ lîsns v substitytñ I fr J, n U fr V).
For crušt glifs in ɖ ajesnt rūm r prizntd on a lo peḍstl ɖt cuvrz most v ɖ flor. In a dpāčr fṛm prīvı̣s wrc, n in contrast t ɖer rândd, ẇît cântrpāts, ɖ glifs r brîtli culrd n ireğlrli šêpt, apirñ flexbl dspt ɖer stīl mtiriaḷti. Distnst fṛm ɖ vywr bî ɖ peḍstl, ɖe apir lîc fwml xsîzz in ātistc stîl, bt ɖer vižl prezns z contṛdictd bî ɖ tîtl v ɖ arenjmnt—Slftwc—ɖt čaḷnjz ɖ abiḷti t aproč wrcs wɖt prīcnsivd nošnz or an inr výs. Bov pozits hr glifs in daylog wɖ public sculpčr or so-cwld plopāt, ẇr indivijl wrcs’ naṛtvz ofn c̣lud wɖ ɖer setñz or rmen obskr, ɖus mcñ ɖm apir ât v plês n īvn iṇproprı̣t. Az a glif tipicli rfrz t a simbl wɖn a gvn contxt, fr xampl a letr wɖn ɖ alfbet, Bov’z sculpčrz apir lîc sxñt fragmnts v a brwdr siḷbl ɖt olso têcs intu cnsiḍrešn ɖ activti v crietñ ɖ wrcs.
A ẇît, tybylr glif z pāt v an arenjmnt on a wîd peḍstl in ɖ upsterz gaḷri—ɖ sîz v ɖ crtn ḅlo it—ẇč olso cmprîzz a šel n feɖr sculpčr on its ôn peḍstl, an Î-bīm wɖ driftwŭd, n a silvr crtn. Tenz v ʈâzndz v sml bīdz criet a sutl patn v trîanglz acrs ɖ čênz v ɖ latr, bt ɖ intnsli handcraftd wrc z olmst invizbl fṛm sm vywñ pspctvz, agn drōñ atnšn t šiftñ mīnñz n ābtrri intrpṛtešnz.
Ɖ for sculpčrz in ɖ nebrñ rūm r arenjd drctli on ɖ flor, ineblñ vywrz t wōc amñst ɖm n lc wɖ ɖ bodi, az Bov pts it, rɖr ɖn hvñ t pṛjct wnslf intu a spês, az dīmācetd bî hr peḍstlz. Lîc Secnd Cātīžn Sculpčr, a lj stīl strucčr cwld Ôpn Scrīn dvîdz spês ẇl mntenñ ôpn vyz v bʈ sîdz, ɖs tîm wɖt ɖ gridd net. Its jı̣mtric pṛpwšnz contrast wɖ Srclz, a redwŭd brl ʈru ẇč Bov hz insrtd tu stīl pîps, mirrñ ɖ imprint v ɖ fizicl ṣpwt yzd t craft hr concrīt wrcs. Anɖr sculpčr z an arenjmnt v stīl Î-bīmz ɖt fwmd pāt v Caṭpilr fṛm 2013, ɖ ātist’s insṭlešn on ɖ ɖen unfiništ pāt v ɖ Hî Lîn pāc in Ny Ywc. Tîtld Câ Wočt Bî Āgs, its šêp cn vêgli b sīn az fiğṛtv, aludñ t ɖ yuñ wmn metmwfozd intu a câ bî Zūs in an atmt t hîd a luṿfer fṛm Hira. Stl sceptcl, ɖ latr haird ɖ hundṛd-îd Āgs t woč ɖ animl, bt h wz cild on Zūs’z rqst. Hira subṣqntli tc hiz îz n sôd ɖm ontu ɖ teil v hr fevrit brd, ɖ pīcoc.
In ɖ ʈrd-flor gaḷri, Bov priznts for canvsz arenjd tgɖr n cuvrd intîrli in pīcoc feɖrz, crietñ a cntinys, olmst diziyñ comṗzišn. Ɖ feɖrz’ ynīc cncuṛns v ōṇmnt n funẋn z incântrd in sm v Bov’z uɖr sculpčrz on vy in ɖ xibišn, rcwlñ ɖ blrd bândriz btwn ɖ pḍstl n its objct n ɖ dyl funẋn v ɖ Î-bīmz az ṣpwt n sculpčr.
Born in 1971 in Jnīva t Americn pẹrnts, Caṛl Bov wz rezd in Bācli, Califwňa n studid at Ny Ywc Ynivrsti.
In 2014, Bov dêbyd a ny bodi v wrc alñsd xibišndizînz n sculpčrz bî Itałn ācitect Cālo Scāpa. Caṛl Bov/Cālo Scāpa z kretd bî ɖ Henri Mur Instityt in Līdz, Ñgḷnd n pṛdyst in c̣laḅrešn wɖ Museion, Bolzano, Iṭli n Museum Dhondt-Dhaenens, Deurle, Beljm. Côinsîdñ wɖ ɖ Zvirnr prezntešn in Lundn, ɖ šo z on vy at ɖ Henri Mur Instityt fṛm Êpṛl 2 ʈru Jlî 12, 2015. It wz frst hôsted bî Museion (Nvmbr 2014 – Māč 2015) n wl travl t Museum Dhondt-Dhaenens (Octobr 2015 – Jaňri 2016).
Bov’s wrc hz bn ɖ subjct v sôlo xibišnz at prominnt instityšnz ɖt includ Ɖ Myziym v Modn Āt, Ny Ywc; Hî Lîn at ɖ Rêlyādz, Ny Ywc; Ɖ Comn Guild, Glazgo (ol 2013); Palais de Tokyo, Paris (2010); Hwticulčṛl Ssayti v Ny Ywc (2009); Blantn Myziym v Āt, Ostin, Texs (2006); Kunsthalle Zŭrih; Instityt v Cntmprri Āt, Bostn (bʈ 2004); n Kunstverein Hambrg (2003). Mêjr grūpexibišnz includ Dokmenta 13, Kassel, Jrṃni (2012); 54ʈ Venis Bienāle (2011); n ɖ Ẇitni Bîeňl, Ẇitni Myziym v Americn Āt, Ny Ywc (2008).
Wrc bî ɖ ātist z reprizntd in prmnnt c̣lẋnz wrldwîd, includñ ɖ Fonds Régional d’Art Contemporain (FRAC) Nord-Pas de Calais, Duncrc, Frans; Ɖ Myziym v Modn Āt, Ny Ywc; Prinstn Ynivrsti Ātmyziym, Ny Jrzi; Wodswrʈ Aʈneum Myziym v Āt, Hātfd, Cnetic̣t; n ɖ Yêl Ynivrsti Ātgaḷri, Ny Hêvn, Cnetic̣t. Š livz n wrcs in Brŭclin, Ny Ywc.”
Noodle, 2015, stainless steel and urethane paint
Circles, 2015. Photograph: EPW Studio
Coral Sculpture (2008), in the foreground, and Heraclitus (2014). Photograph: Private Collection, courtesy of Marc Jancou Contemporary, New York/Henry Moore Institute
Open Screen, 2014, steel, 3 Panels
I, quartz pyx, who fling muck beds., 2015
Mussel Shell (detail), 2014 Peacock feather, seashell, found steel object, concrete, and brass
Eleanore, 2014. Photograph: Courtesy Timothy Taylor GalleryEleanore, 2014, by Alex Katz. Courtesy Timothy Taylor GalleryPhotograph: Courtesy Timothy Taylor Gallery
‘Vincent’, 2014. Oil on linen, 48 x 108 in. / 121.9 x 274.3 cm
Nicole, 2014, 48 x 108 in. / 121.9 x 274.3 cm, Oil on linen (Timothy Taylor Gallery)
‘Elizabeth’, 2014. Oil on linen, 84 x 60 in. / 213.4 x 152.4 cm
‘Samantha and Jessica’, 2014. Oil on linen, 60 x 84 in. / 152.4 x 213.4 cm
“Tiṃʈi Têlr Gaḷri z plizd t priznt an xibišn v ny pêntñz bî Alix Cáts. Ɖ subjct v ovr 200 sôlo xibišnz n nirli 500 grūpšoz inṭnašnli sns 1951, Cáts hz bn onrd wɖ nymṛs retṛspctvz includñ Ɖ Ẇitni Myziym v Americn Āt, Ny Ywc, YSA; Têt St. Îvz, YC; Trnr Cntemprri, Māgêt, YC; n Ɖ Ggnhîm, Bilbâ, Spên. Ɖs z ɖ ātist’s sevnʈ xibišn wɖ ɖ gaḷri.
Cáts’z pêntñz r at wns fiğṛtv n abstract – hiz ljr-ɖn-lîf pwtrits n landsceps ofn lūmñ lj ovr ɖer obzrvrz. Hvr, in ɖz ny wrcs, rɖr ɖn filñ č frem, ɖ subjcts r asînd t ɖ mājinz, wɖ blac spês okpayñ most v č canvs. Ẇt z strîcñ abt ɖz ny pwtrits z bʈ ɖ depʈ n dvrṣti v ɖ blac pênt cntrastd agnst ɖ dṛmatcli stydio-lit figrz. Prizntd wɖn a wîdscrīn fwmat, ɖ figrz bcm bʈ siṇmatc n ʈiatricl, rzemblñ pfwmrz cōt mid-mošn bî a spotlît. Yt īvn wɖn ɖs fremwrc, č pêntñ stl mntenz Cáts’z sigṇčr cūl senṣbiḷti.
In 2000, Cáts crietd ɖ lj-fwmat pêntñ Êda’z Gādn, cmprîzd v a grūp v ppl agnst a blac bacgrând. Ẇl cmpozd yzñ ɖ sem tecnīc – ẇr Cáts frst scečz subjcts on hiz 16-inč bwdz (studiz) bfr dveḷpñ lj imijz on canvs – ɖz ny pwtrits r instd capčrd mmnts or fragmnts, ls stêjd n mr dnamic. Īvn ẇr tu figrz okpî ɖ sem frem, ɖr z ɖ dstñt sens ɖt ɖ subjcts wr nvr preznt in ɖ sem rūm at ɖ sem tîm. Ɖe r lost in ɖer ôn ʈts, ɖer ôn contemplešn. Ɖr z no bacgrând, no naṛtv, uɖr ɖn ẇt ɖ vywr brñz t č wrc. Ɖs z isnšl fr Cáts’z tnšn – ẇrbî ɖ lac v a sṗsific stwri ineblz ɖ vywr t cmplit ɖ picčr. It olso alâz Cáts t criet vri cntmprri imijz, az h stêts: I’m trayñ t pênt ɖ nâ. N naṛtv z a stwri, n wns y gt intu ɖ stwri it’s no longr in ɖ riyl preznt tens.
Ɖ ātcritc Bari Šwabsci rīsntli nôtd ɖt Cáts’z čýs v subjct olso contribyts t ɖ ôṗṇs v hiz wrc; hiz subjcts vrj on ṣlebṛti bt rmen fr ɖ most pāt unîdentifaybl, xpt in ɖ sošl grūp t ẇč ɖe ḅloñ. Ẇl ɖs bwdrlîn recgnîẓbiḷti mcs Cáts’z subjcts n subsiqntli hiz picčrz so dzîṛbl, srtn famiłr subjcts d rı̣pir, most significntli hiz wîf Êda, hūm Cáts hz bn pêntñ fr olmst 60 yirz.
Alix Cáts wz born in Brŭclin, Ny Ywc in 1927. Aftr grajuetñ fṛm ɖ Cūpr Yňn Ātscūl in Manhatn in 1949, h wz awōdd a scolršp bî ɖ Scôhīgin Scūl fr Pêntñ n Sculpčr in Mein. In 1968, Cáts muvd intu an ātists’ coopṛtv bildñ in SoHo, Ny Ywc, ẇr h hz livd n wrct evr sns, spendñ hiz sumrz in Lncnvil, Mein.
Ɖ xibišn z acumṗnid bî a fŭli iḷstretd caṭlog, includñ a convsešn btwn Alix Cáts n Ivona Blazwic, Drctr, Ẇîtčapl Gaḷri, Lundn.”
Art Fair: Booth #1 Oldenburg’s Sneakers, 2013 Oil on linen. 208.3 x 172.7 cm, 82 x 68 in
Art Fair: Booth #10 Booty, 2014 Oil on Linen 208.3 x 284.5 cm, 82 x 112 in
Art Fair: Booth #17 Instructions, 2014 Oil on Linen 177.8 x 208.3 cm, 70 x 82 in
Art Fair: Booth #3 Deathmask, 2014 Oil on linen 137.3 x 172.8cm, 54 1/8 x 68 in
Art Fair: Booth #1 Play/Care, 2013 Oil on linen 208.3 x 284.5 cm, 82 x 112 in
Art Fair: Booth #40 Shopgirl (study), 2014 Oil on linen 76.2 x 101.6 cm, 30 x 40 in
Art Fair: Booth #27 Ridiculous Sublime, 2014 Oil on Linen 172.7 x 208.3 cm, 68 x 82 in
Art Fair: Booth #60 Shoot/Please (study), 2014 Oil on Linen 91.4 x 121.9 cm, 36 x 48 in
Art Fair: Booth #4 The Price, 2013 Oil on linen 208.3 x 284.5 cm, 82 x 112 in
Art Fair: Booth #15 OOF, 2014 Oil on Linen 172.7 x 208.3 cm, 68 x 82 in
Installation View, Eric Fischl, Art Fair paintings, Gallery II, Victoria Miro, 16 Wharf Road London N1 7RW, 2014
Installation View, Eric Fischl, Art Fair paintings, Gallery II, Victoria Miro, 16 Wharf Road London N1 7RW, 2014
Installation View, Eric Fischl, Art Fair paintings, Gallery II, Victoria Miro, 16 Wharf Road London N1 7RW, 2014
Installation View, Eric Fischl, Art Fair paintings, Gallery II, Victoria Miro, 16 Wharf Road London N1 7RW, 2014
Installation View, Eric Fischl, Art Fair paintings, Gallery II, Victoria Miro, 16 Wharf Road London N1 7RW, 2014
Installation View, Eric Fischl, Art Fair paintings, Gallery II, Victoria Miro, 16 Wharf Road London N1 7RW, 2014
“Eric Fišl md hiz repytešn in ɖ 1980z wɖ lj-scêl fiğṛtv ýlpêntñz dpictñ ambiğs, irotcli čājd ṣnẹrioz set in ɖ Americn subrbz. Sns ɖt tîm hiz practis hz dveḷpt, olɖo hiz fôc̣s rmenz on repṛzentešnz v ɖ hymn figr, dpictd sngli, az in hiz sculpčṛl wrc n wōtrculrz, or in complex grūpñz, az in ɖs ny bodi v pêntñz.
Ɖs siriz têcs az its subjct ɖ cntmprri ātmācit. Ɖ pêntñz dpict ātferz n gaḷriôṗnñz, n fīčr intric̣t comṗzišnz ẇr ppl n ātwrcs r leyrd in sfisticetd arenjmnts v fwm n culr. Fišl hz olwz bn a cīn obzrvr v ɖ rlešnšps btwn ppl, n btwn ppl n ɖer srândñz. Ɖz pêntñz demnstret ɖ ātist’s akt obẓvešn v bodīlanĝj n ɖ sml dītelz ɖt rflct sošl rlešnšps, ptklrli in ɖ hedi invîrnmnt v ɖ ātfer, wɖ its čājd atṃsfir v muni n têst, fnanšl n culčṛl capitl.
Ātferz r ntwrı̣sli bizi, n ɖz pêntñz gv a sens v ɖ eṇji n busl az vizitrz muv amñst ɖ standz, apaṛntli gvñ az mč atnšn t č uɖr – n t ɖer môbîl fônz – az t ɖ ātwrcs on dsple. In ɖz imijz, rɖr ɖn actñ az a bacdrop t ɖ hymn actiṿti, ɖ ātwrcs funẋn az caṛctrz in ɖ sìn, sîḷnt witṇsz t ɖ drāma unfoldñ arnd ɖm. Fišl hz dscrîbd ɖs ifct:
Ɖ spês in ɖz pêntñz z c̣lapst, clutrd, irašnl n agresv. Ɖoz dpictd in ɖ sìnz sīm oblivı̣s t ɖ mêňa v ɖer cndišn…. Ẇt I’v dscuvrd az I muvd intu ɖs wrc z ɖ isnšli abstract nêčr v ɖ ātfer spêsz. Ɖe r nirli kbistc in ɖer flatṇs n ɖer jarñ c̣lāžd cnstruẋnz. Y si a buʈ n ʈru it anɖr n ʈru it anɖr, č buʈ šowñ wrcs ɖt hv ɖer ôn, ofn cntrastñ, spêšl ilužnz. Fr a pêntr, it z a rič invîrnmnt t trî n capčr. Leyrz v conšsṇs on top v leyrz v crosprṗsz. I am fwlñ in luv wɖ it. Nt bcz it z ɖ propr plês fr āt bt bcz it z sč a rič invîrnmnt t mc āt abt.
Ɖz wrcs hv bn infwmd bî ɖ dveḷpmnt v ɖ cntmprri ātwrld ovr rīsnt decedz, az a prīvı̣sli mr insylr, scolrli culčr hz trnsfwmd intu a mr mācitdrivn sìn apilñ t a ny clas v inṭnašnl plūṭcrats. Fišl’z fersìnz r popyletd bî an are v tîps ɖt apir recgnîẓbl bt ptnšli olso ambiğs n fluid in ɖer îdntti: ātists, c̣lctrz, gaḷrists, kretrz n hañrz-on.
In cīpñ wɖ Fišl’z yžl wrcñpractis, ɖ stātñpýnt fr ɖ siriz r fôṭgrafs, in ɖs cês pridominntli têcn bî ɖ ātist hmslf at ātferz includñ Āt Bāzl Mîami Bīč n ɖ Sâʈamtn Ātfer n at ôṗnñz v gaḷriexibišnz in Ny Ywc. Fišl uplodz imijz t Fôtôšop, ẇr h c̣lāžz ɖm untl h cnstructs an imij ɖt h wnts t trnzlet intu a pêntñ. Az ɖ siriz hz groun so hz ɖ cmplx̣ti v ɖ reẓnnsz v ɖ imijz, indivijli n in rlešn t č uɖr. Ɖ pêntñz r a šāp sošl satîr az mč az ɖe r a luvñ tribyt t ɖ wrld ɖ ātist nz bst: ɖ inṭnašnl ātsìn.
Fišl wz born in 1948 in Ny Ywc Siti. H cuṛntli livz n wrcs in Sag Hābr, Ny Ywc. Hiz rīsnt sôlo šoz includ Eric Fišl: Frendz, Luvrz n Uɖr Consṭlešnz at ɖ Alḅtīna, Viena, Ostria (2014); Dîv Dīp: Eric Fišl n ɖ Prôses v Pêntñ at ɖ Penslveňa Acaḍmi v Fîn Āts, Fiḷdelfia, travlñ t San Hôze Myziym v Āt, Caḷfwňa (2012-2013); Eric Fišl: Bīčlîf at ɖ Gildhwl v Īst Hamtn, Ny Ywc (2012); Eric Fišl: Corrida en Ronda at ɖ Centro de Arte Contemporáneo de Málaga, Spên (2010); Eric Fišl: Ten Breʈs at ɖ Kestnergesellschaft, Haṇvr, Jrṃni (2007); Eric Fišl: Prints n Drōñz at ɖ Deḷwer Sentr v Cntmprri Āt, Wilmñtn (2006); Eric Fišl at ɖ Fondazione Cassa Di Risparmio in Ḅloňa, Iṭli (2004); n Eric Fišl, Pêntñz n Drōñz 1979-2001 at ɖ Cnstmŭzeum Wlfsbrg, Jrṃni (2003). Hiz wrc z in nymṛs public c̣lẋnz, includñ Ātgaḷri v Ny Sâʈ Wêlz, Sidni, Ostreła; Ātgaḷri v Ontẹrio, Ṭronto, Caṇda; Ātinstityt v Šicago, Šicago; Bāzl Cnsthala, Switṣḷnd; Cānegi Myziym v Āt, Pitsbrg; Daḷs Myziym v Āt, Txs; Fîn Āts Myziym v San Fransisco, Caḷfwňa; Soḷmn R. Ggnhîm Myziym, Ny Ywc; Hiršwn Myziym n Sculpčrgādn, Wošñtn, D.C.; Kunstmuseen der Stadt, Crêfelt, Jrṃni; Luīziana Myziym v Modn Āt, Humlebaek, Denmāc; Ɖ Menil C̣lẋn, Hystn; Ɖ Metṛpolitn Myziym v Āt, Ny Ywc; Musée National D’Art Moderne, Centre Georges Pompidou, Paris, Frans; Myziym v Modn Āt, Ny Ywc; Našnl Gaḷri v Āt, Wošñtn, D.C.; Neue Galerie, Āħn, Jrṃni; Fiḷdelfia Myziym v Āt, Penslveňa; San Fransisco Myziym v Modn Āt, Caḷfwňa; n Ẇitni Myziym v Americn Āt, Ny Ywc. Victoria Miro z dlîtd t b wrcñ alñsd Eric Fišl’z loñstandñ gaḷriz Mẹri Būn in Ny Ywc n Yablonca in C̣lôn.”
