‘Returning to the Trenches’, c. 1916 ©The Barber Institute of Fine Arts
A Star Shell, exhibited 1916, painting. Oil on canvas support: 508 x 406 mm. © Tate, London
‘War Profiteers’, 1917 (Reproduced with the kind permission of the Russell-Cotes Art Gallery & Museum, Bournemouth.) ©The Nevinson Estate / Bridgeman Images.
‘La Patrie’, 1916 ©Birmingham Museums Trust
‘Britain’s Efforts and Ideals: Acetylene Welding’, 1917 © Tate, London 2014
“Ɖ pârfl āt n contṛdictri prṣnaḷti v Britiš worātist Ričd Nevinsn z xplord in ɖs grândbrêcñ xibišn – ɖ sentrpìs v âr ōtmprôgram.
Fems fr hiz dṛmatc, ofn hwntñ imijz v ɖ batlfīld n its soljrz, Nevinsn’z arestñ pêntñz, drōñz, prints n pôstrz olso acnolijd ɖ smtmz unpaḷṭbl ifcts wor hd on Britiš ssayti. Olwz a rebl, h pṛdyst wrc ɖt renjd in vrayti fṛm ofišl worproṗganda t antīwor condemnešn – sm v ẇč wz sensrd. Wɖ mêjr pêntñz n ci drōñz n prints lent bî mêjr YC public n prîvt c̣lẋnz, includñ Têt, ɖ Impirı̣l Wormyziym n ɖ Britiš Myziym, ɖs xibišn z acumṗnid bî a fl prôgram v rletd lecčrz, twcs n uɖr xîtñ ivnts.”
ẆT ĐE SE
Teri Grimli, Đ BRMÑM PÔST, 3 Nvmbr 2014
Anica Frenč, Đ APOLO MAĠZĪN, 26 Nvmbr 2014
