“A ci figr in ɖ rvîvl v lîningrevñ in ɖ 1920z, Stanli Anḍsn RA (1884–1966) z bst nôn fr hiz siriz v prints mmwrı̣lîzñ Ñgḷnd’z vanišñ rrl crafts.
Ɖs xbišn, ẇč côinsîdz wɖ ɖ publicešn v a caṭlog reẓne, cnsidrz Anḍsn’z ingrevñz alñsd ŕlı̣r, lesr-nôn wrcs in a print-mcñ c̣rir spanñ nirli hāf a senčri: drîpýnts v continntl mācitsìnz, ečñz v dân n âts in 1920z Lundn, n oltrṇtv sitīvyz v cnstruẋn n deṃlišn saits.
Sceptcl v prôgres, Anḍsn comentd on n cântrd ɖ spiričl emptiṇs, imošnl dtačmnt n ilītizm h rgādd t b ɖ hwlmācs v mdrṇti.
An Abîdñ Standd côinsîdz wɖ ɖ publicešn v Stanli Anḍsn. Prints: A Caṭlog Reẓne bî ɖ xbišnkretrz Robt Mêric n Hari Hýzr, publišt bî ɖ Royl Acaḍmi v Āts, aveḷbl fṛm ɖ RA šop n onlîn.”
False Gods, 1949. Engraving. 16.3 x 13.1 cm. Private Collection / © Stanley Anderson Estate.
The Rake Makers, 1948 (Stanley Anderson Estate)
The Saddler, 1946 (Stanley Anderson Estate)
The Chair Maker, 1944. Engraving. 21.5 x 15.4 cm. Private Collection / © Stanley Anderson Estate.
Detail from The Thatcher, 1944 Photo: Stanley Anderson Estate
What a Piece of Work is Man! or What is Art?, 1936. Engraving. 15.7 x 20.5 cm. Private Collection / © Stanley Anderson Estate.
The Farm Hand, 1933. Engraving. 19.2 x 15 cm. Private Collection / © Stanley Anderson Estate.
Self Portrait, 1933. Engraving. 20.1 x 16.5 cm. Private Collection / © Stanley Anderson Estate.
Between Tides, Dieppe, 1931. Engraving. 18.7 x 21.8 cm. Private Collection / © Stanley Anderson Estate.
The National Gallery, 1925. Etching. 22.4 x 28.8 cm. Private Collection / © Stanley Anderson Estate.
Piccadilly Circus, 1923 (Stanley Anderson Estate)