Tag Archives: Apollo Magazine

GRAYSON PERRY: PROVINCIAL PUNK │ Turner Contemporary, Margate → 13 September 2015

GALLERYARTIST

“It z a cnd v tizñ rbłn; it z nt a vayḷnt rvluśn”

Noel Halifax SOCIALIST REVIEW June 2015
Daniel Barnes AESTHETICA 31 May 2015
Martin Gayford SPECTATOR 30 May 2015
Alison Cole INDEPENDENT 29 May 2015
Joe Lloyd APOLLO 27 May 2015
Michael Prodger BLOUIN ART INTO 25 May 2015
Jonathan Jones GUARDIAN 22 May 2015
David Johns ITV 22 May 2015
Bob Henderson GAY TIMES

Continue reading GRAYSON PERRY: PROVINCIAL PUNK │ Turner Contemporary, Margate → 13 September 2015

THE GRAND TOUR: PABLO BRONSTEIN AND THE TREASURES OF CHATSWORTH │ Nottingham Contemporary → 20 September 2015

Pablo Bronstein at Chatsworth House. Photo: Hugo Glendinning
Pablo Bronstein at Chatsworth House. Photo: Hugo Glendinning

GALLERYARTIST

“Bronstîn’z erydît drw̃z, pformnsz, frnićr n public art rlet t bʈ ɖ past n ɖ preznt in unsetlñli paṛdoxcl, smtmz hymṛs wez”

GRAND TOUR

Two William IV chairs installed by Pablo Bronstein at Nottingham Contemporary. Photo: Hugo Glendinning.
Two William IV chairs installed by Pablo Bronstein at Nottingham Contemporary. Photo: Hugo Glendinning.

Mark Sheerin CULTURE24 17 July 2015
Mark Hudson TELEGRAPH 14 July 2015
“Wn v ɖoz hîṗcnspćlîzd xbiśnz ɖt mc prfct sens f y rīd ɖ kretr’z txts on ɖ we rnd – n vrćli nn f y d’nt”
ARTLYST 7 July 2015
BBC 4 July 2015
APOLLO MAGAZINE 3 July 2015
Hannah Ellis-Peterson GUARDIAN 7 October 2014
NOTTINGHAM POST 7 October 2014

East Midlands

WATERCOLOUR – ELEMENTS OF NATURE │ Fitzwilliam Museum, Cambridge → 27 September 2015

GALLERY

ARTISTS INCLUDE
Paul CézanneJohn Constable, John Sell Cotman, Peter de Wint, Nicholas Hilliard, Paul NashIsaac Oliver, Samuel Palmer, Camille PissarroPierre-Joseph Redouté, John Singer Sargent, JMW TurnerJ. M. Whistler

Emma Crichton-Miller APOLLO MAGAZINE 10 July 2015
Brilliana Harley COUNTRY LIFE 9 July 2015

Continue reading WATERCOLOUR – ELEMENTS OF NATURE │ Fitzwilliam Museum, Cambridge → 27 September 2015

DEFINING BEAUTY: THE BODY IN ANCIENT GREEK ART │ British Museum, London → 5 July 2015

Marble statue of a discus-thrower (discobolus) by Myron. Roman copy of a bronze Greek original of the 5th century BC.
Marble statue of a discus-thrower (discobolus) by Myron. Roman copy of a bronze Greek original of the 5th century BC.

(Posted 13 April 2015. The text is in an older version of Ñspel.)

“Xpirı̣ns ɖ briłns n dvrṣti v ênčnt Grīc āt in ɖs mêjr xibišn foc̣sñ on ɖ hymn bodi.

Fr senčriz ɖ ênčnt Grīcs xperimentd wɖ wez v reprizntñ ɖ hymn bodi, bʈ az an objct v byti n a berr v mīnñ.

Ɖ rmāc̣bl wrcs v āt in ɖ xibišn renj fṛm abstract simpliṣti v prīhistoric fiğrīnz t breʈtêkñ riylizm in ɖ êj v Alixandr ɖ Grt. Ɖz wrcs cntinyd t inspîr ātists fr hundṛdz v yirz, gvñ fwm t ʈt n šêpñ âr ôn pspšnz v ârslvz.

Ɖ čīf fwmz v byti r ōdr, siṃtri n clir dliniešn. (Aristotl)

In pwtreyñ îdiyl tîps v byti… y brñ tgɖr fṛm mni modlz ɖ most bytifl fīčrz v č (Socṛtīz)”

 MYZIYM WEBSAIT

Continue reading DEFINING BEAUTY: THE BODY IN ANCIENT GREEK ART │ British Museum, London → 5 July 2015

A K DOLVEN: please return │ Ikon Gallery, Birmingham → 19 April 2015

please return, 2014. Sound installation with sign. Photo: Stuart Whipps
please return, 2014. Sound installation with sign. Photo: Stuart Whipps

“Îcon priznts a ny xibišn v wrc bî A C Dolvn, wn v Nōwe’z most prominnt ātists. Ʈru a vrayti v mīdia – pêntñ, insṭlešn, film n sând – š z cnsrnd isnšli wɖ ɖ repṛzentešn v sblîm načṛl fwsz. In ɖs rspct š îdntifîz wɖ ɖ rnând nîntīnʈ senčri Nōwījn pêntr Pedr Balca (1804–1887), huz wrc z olso includd in ɖ xibišn.

In hiz landsceps v nwɖn Nōwe, Balca’z hymn subjcts r dwōft bî ɖer srcmstansz, az sml figrz in ɖ landscep, or ɖer prezns z implîd bî modist dwelñplêsz or bôts at ɖ mrsi v ɖ sì. Ẇlst šẹrñ Balca’z wrldvy, Dolvn’z vižn z mr ôvrtli fiḷsoficl, dīlñ wɖ ɖ nêčr v psepšn n ɖ sbconšs funẋnñ v memri n fīlñ. It z significnt ɖt š fôc̣sz on densli multīsenṣri sičuešnz, in ẇč hr mn subjct z at wns vri preznt n reẓnnt wɖ lost tîm.

In sfpwtrit, Brlin februar 1989 Lofoten august 2009 (2010), an 8mm film on vidio, w si ɖ ātist in a tlñ daylog wɖ hrslf acrs tîm. Ɖ ŕlı̣r fŭtij wz šot in West Brlin, ovrlcñ ɖ rivr Spri ẇč, in ŕli 1989, wz pāt v Īst Brlin. Standñ cold n nêcid, az š trnz ɖ camra arnd hr wêstlîn untl ɖ rol v film z yzd p, ol ɖ tîm š z biyñ wočt bî Īst Jrmn bwdrṗlis. Ɖ lêtr fŭtij, filmd twenti yirz on, fīčrz Dolvn mcñ ɖ sem jesčr wɖ a camra on a mântintop in nwɖn Nōwe, in ɖ ẇît lît v an Āctc sumrnît, ovrlcñ ɖ sì. Ɖs slfpwtrit z ostnsbli an ātwrc abt ɖ wrld bynd, ẇlst biyñ sentrd on ɖ ātist, n hr plês in tîm.

A ny siriz v pêntñz bî Dolvn aludz t Balca ɖru its mīdı̣m – ɖ leyrd aplicešn v culr on aḷmiňmpanlz, sml-scêl n miniṃlist. Bt rɖr ɖn reprizntñ blīc landscep, ɖ mix v jeso, cadmı̣m-orinj n ẇît ýlpênt rzults in a hymn scintôn. Ɖ panlz ber ɖ wūndz v hamrbloz, struc hād bî ɖ ātist intu ɖ srfisz ɖt š hz cerfli priperd. Ɖz r ɖ imfatc trêsz v an ātistc act ɖt rfŕz at wns bʈ t ɖ mācs w mc n ɖ mācs md on s ʈru a lîftîm.

[…]”

 GAḶRI WEBSAIT

Continue reading A K DOLVEN: please return │ Ikon Gallery, Birmingham → 19 April 2015

HENRY MOORE: BACK TO A LAND │ Yorkshire Sculpture Park → 6 September 2015

Large Reclining Figure, 1984

“Born in Caslfd, West Ywcšr, Henri Mur (1898–1986) z wn v ɖ most impwtnt artists v ɖ 20ʈ senčri. Đs mêjr xibišn, in c̣laḅrešn wɖ Ɖ Henri Mur Fândešn, têcs a freš aproč t Mur’z wrc bî cnsidrñ hiz pṛfând rlešnšp wɖ land, wč wz funḍmntl t hiz practis n fyld hiz vižl vcabylri.”


Ɖ mistri v ẇt z undr ɖ šrâd z smẇt acin t ɖ mistri in powtri. It z ɖs eḷmnt v ɖ uņon ɖt fasinets m in cevz n ɖ houlz in ɖ sîdz v hilz – y d’nt nô ẇt z ɖr untl y lc n xplor intu ɖm. Mistri plez a lj n inlîvnñ pāt in âr lîvz; nt nwñ bt wntñ t nô, wundrñ n gesñ, qesčnñ n xplorñ. (Henri Mur, 1974)

A fândñ pêtṛn v YSP, Mur wz cmitd t šowñ hiz wrc in ɖ ôpn er, n in ɖ rolñ hilz v ɖ fwmr Dírpāc in ptklr.

Ɖ xibišn nt onli xplorz ɖ ātist’s radicl nošn v plêsñ sculpčr in ɖ landscep – lj-scêl sculpčrz grīt ɖ vizitr on arîvl at ɖ Pāc n r dspled agnst ɖ bytifl n historic visṭz v ɖ Boʈīgādn – bt ɖ impwtns v ŕʈ in Mur’z crietv ʈncñ. Āčroc, Îsbrg, Roci Landscep n nymṛs uɖr drōñz, sm rerli sīn in public, alñ wɖ a renj v sculpčrz xplorñ scêl n ɖ inṭple btwn intrnl n xtrnl spêsz, emfsîz ɖ ātist’s constnt invstigešn v land, fṛm ɖ blac colsìmz v hiz homtân n ɖ rič jioḷji v Britn, t ɖ mistcl ênčnt fwmz v Stônhenj.

Ɖ xibišn olso priznts an oṗtyṇti t xplor ɖ man bhnd ɖ practis wɖ a cerfli ṣlctd dsple v prsnl āṭfacts, nôts, scečz n fôṭgrafs, kretd in c̣laḅrešn wɖ ɖ ātist’s dwtr, Mẹri Mur.

…”

GAḶRI WEBSAIT

Continue reading HENRY MOORE: BACK TO A LAND │ Yorkshire Sculpture Park → 6 September 2015

LYNDA BENGLIS │ Hepworth Wakefield → 1 July 2015

Raptor, 1995-96 Stainless steel, wire mesh, silicone and bronze
Raptor, 1995-96. Stainless steel, wire mesh, silicone and bronze

Hr retṛspctv at ɖ Hepẉʈ Wêcfīld z a revlešn. **** – Êdrı̣n Srl, Ɖ Gādı̣n

Nʈñ z evr riyli az it sīmz: fand metl sīmz weitls n frajîl: inwms bilowñ pîlz v led sīm cinetc; n ɖ ātist hrslf sīmz t b constntli čalinjñ s t criet âr ôn mīnñz rgādñ abstract fwmz.It’s Nîs Ɖt

Lynda Benglish 1970, originally published in Life. Feb. 1970. Photo by Henry Groskinsky. © Life Inc.
Lynda Benglish 1970, originally published in Life. Feb. 1970. Photo by Henry Groskinsky. © Life Inc.

XIBIŠN

Ɖ Hepẉʈ Wêcfīld priznts ɖ YC’s frst myziymsrve v wrc bî Grīc-Americn ātist n feminist îcon Linda Benglis. Ɖs hîli antisipetd xibišn wl b ɖ ljst prezntešn v Benglis’ wrc in ɖ YC, fīčrñ aproxiṃtli 50 wrcs ɖt wl span ɖ intîṛti v hr pṛlific c̣rir t dêt.

Êjd 73, Benglis z wn v America’z most significnt livñ ātists. Born in 1941 in Luīziana, YSA, š wz heṛldd az ɖ ér t Poḷc bî Lîf maġzīn in 1970, n imrjd az pāt v a jeṇrešn v ātists fwjñ ny apročz t sculpčr n pêntñ in ɖ wêc v Abstract Xprešnizm, Miniṃlizm n Popāt.

Cântñ Andi Wōhol, Sol LeWit n Bānit Nymn amñ hr frendz n pirz, Benglis istablišt hr c̣rir wɖn a mêl-dominetd āt wrld n bcem fems nt onli fr hr radicl riinvižnñ v sculpčr n pêntñ ʈru hr ŕli wrcs yzñ wax n pord lêtx, bt olso fr hr wrcs dīlñ wɖ feminist poḷtcs n slfimij.

BÎOGṚFI

Born in Lêc Čālz, Luīziana in 1941, Linda Benglis muvd t Ny Ywc Siti in ɖ lêt 1960z.  Š nâ rzîdz in Ny Ywc n Santa Fe, Mexico, n z ɖ rsipı̣nt v a Ggnhîm Felôšp n tu Našnl Indâmnt fr ɖ Āts grants, amñ uɖr comndešnz. Hr wrc z held in impwtnt public c̣lẋnz n hz bn xibitd at Têt Modn, Ɖ Myziym v Modn Āt n ɖ Ẇitni Myziym.

Benglis wz ɖ subjct v a 2010–11 inṭnašnl retṛspctv ɖt travld t Ɖ Îriš Myziym v Modn Āt, Dublin; Ɖ Von Aḅmŭzeum, Indôvn; L’Conswsium, Dīžõ; Ny Myziym, Ny Ywc; n ɖ Myziym v Cntmprri Āt, Los Anjlīz. Most rīsntli, in ŕli 2014, Benglis šôcêst a siriz v ny sramic wrcs in a sôlo xibišn at Čîm n Rīd, Ny Ywc, n Toms Dên Gaḷri, Lundn.”

GAḶRI WEBSAIT

Continue reading LYNDA BENGLIS │ Hepworth Wakefield → 1 July 2015

JOSHUA REYNOLDS: EXPERIMENTS IN PAINT │ Wallace Collection, London → 7 June 2015

Miss Nelly O’Brien, c.1762–1764. Oil on canvas, 126.3 x 101 cm. The Wallace Collection

 

“Ɖz r grt pêntñz. Renldz z nt stêd at ol. H’z ɖ pwtritist v ɖ Inlîtnmnt, a dẹrñ ātist hu capčrd a dẹrñ êj. (Joṇʈn Jônz, Ɖ Gādı̣n)

Jýn s fr an xibišn ɖt pṛvîdz a freš pspctv on a târñ figr v Britiš pêntñ.

Jošua Renldz z wîdli rgādd az wn v ɖ grtst pwtritists v ɖ 18ʈ senčri. Seḷbretd fr capčrñ ɖ līdñ figrz n gliṭrāti v hiz de, h olso helpt istabliš a dstnctv Britiš scūl v pêntñ. Hvr, Renldz’ repytešn az an istablišmntātist mascs hiz unqenčbl ʈrst fr iṇvešn n hiz xperimentl aproč t ɖ practis n mtirı̣lz v pêntñ.

Ɖs xibišn ofrz a snapšot v Jošua Renldz’ crietv prôses, n rvilz dscuvriz md jrñ a for-yir rsrčprojct intu ɖ âtstandñ c̣lẋn v hiz wrcs at ɖ Wolis C̣lẋn. W hv ṣlctd nt onli significnt pwtrits bt lesr nôn fansīpicčrz n a rer histrīpêntñ, ol v ẇč r šôn sîd bî sîd. Amñ ɖ wrcs on dsple r fems picčrz sč az Neli O’Brayn, Msz Abñtn az Mis Pru n Renldz’z ôn Slfpwtrit Šêdñ ɖ Îz.

Bî fôc̣sñ on ɖ ʈīmz v xperimentešn n iṇvešn, w três Renldz’z wrcñpractis in tu wez: on ɖ mtirı̣l levl, ʈru hiz ys v pigmnts n mīdia; n on a cnsepčl levl, ʈru hiz dveḷpmnt v comṗzišn n naṛtv. Ẇt imrjz z a vižn v Renldz az a paynirñ pêntr, hîli orijinl in hiz apročz t pictwrı̣l comṗzišn. Ɖs drîv t iṇvešn z xemplifîd in hiz ambišs alužnz t ɖ grt mastrz v ɖ past, sč az Tišn n Rembrant n hiz obsesv tendnsi t rīwrc n rvîz hiz imijz az h pêntd.

Renldz’z pwtrits nt onli dpictd ɖ culrfl ssayti in ẇč h livd, renjñ fṛm ɖ actṛs Msz Abñtn, ɖ scanḍḷs Citi Fišr n ɖ sošl clîmr Msz Nezbit, bt wr ofn ɖ product v a c̣labṛtv rlešnšp btwn ātist n sitr. Renldz xplord ɖ psbltiz v pfwmns n rôlple wɖ ɖ sitrz, ẇl at ɖ sem tîm drōñ on ɖer culrfl bîogṛfiz t prsṇlîz ɖer pwtričr.

Mrs Mary Nesbitt, 1781. Oil on canvas, 75.5 x 62.5 cm. The Wallace Collection
Mrs Mary Nesbitt, 1781. Oil on canvas, 75.5 x 62.5 cm. The Wallace Collection

Spanñ most v Renldz’z c̣rir, ɖs xibišn demnstrets ɖ šir dvrṣti v hiz ātistc pṛduẋn n pṛvîdz an eḷqnt n ṣprîzñ insît intu ɖ crietv prôsesz v ɖs rmāc̣bl n imensli pṛlific Britiš ātist.”

GAḶRI WEBSAIT

ON Đ RENLDZ’ TRÊL IN Đ R.A. ĀCÎV

Continue reading JOSHUA REYNOLDS: EXPERIMENTS IN PAINT │ Wallace Collection, London → 7 June 2015

LEON UNDERWOOD: FIGURE AND RHYTHM │ Pallant House Gallery, Chichester → 14 June 2015

Leon Underwood, Self Portrait, 1921
Leon Underwood, Self Portrait, 1921

“Ɖs z ɖ frst mêjr xibišn fr ovr fortīfîv yirz v ɖ wrc v ɖ Britiš ātist Lion Unḍwd (1890-1975). Dscrîbd az ɖ pricrsr v modn sculpčr in Britn, h wz a significnt inflụns on ātists sč az Îlīn Êgar, Bābra Hepwrʈ n Henri Mur. In a pirı̣d ẇr mni ātists wr drwn t abstraẋn, ɖ hymn figr rmend at ɖ hāt v Unḍwd’z wrc ʈrt hiz c̣rir.

Pamela Booth (dates unknown), Leon Underwood with Violin Rhythm, c.1934, Black and white photograph  Private collection
Pamela Booth (dates unknown), Leon Underwood with Violin Rhythm, c.1934, Black and white photograph Private collection

Olɖo phps bst nôn az a sculptr, Unḍwd olso wrct az a pêntr n printmêcr. Unḍwd’z xūbṛnt lîfdrōñz brôc fri fṛm ɖ ac̣demic tṛdišnz v ātscūlz, n at hiz ôn Brŭcgrīn Scūl v Āt h inspîrd a jeṇrešn v Britiš ātists, n wz t b a drîvñ fws in wŭdingrevñ v ɖ 1920z n 30z. Hiz travlz in Mexico n West Africa, az wel az hiz c̣lẋnz v non-westn āt, wr t līd t ɖ criešn v a dvrs bodi v sculpčrz, pêntñz, prints n drōñz n ɖz wr t intṛdys a vîtl n riɖmic eṇji intu Modn Britiš āt. Ɖ xibišn čāts ɖ dveḷpmnt v Unḍwd’z wrc fṛm ŕli pêntñz bêst on hiz xpirı̣nsz az a caṃflāžātist in ɖ Frst Wrldwor t hiz bronzsculpčrz on fiḷsoficl ʈīmz crietd in ɖ 1950z n 1960z.

Ɖ xibišn includz ovr 100 wrcs fṛm prîvt c̣lẋnz n public myziymz, includñ ɖ Ašmôlı̣n Myziym, ɖ Impirı̣l Wormyziym, Līdz Myziymz n Ātgaḷriz, n ɖ Našnl Pwtritgaḷri. It z acumṗnid bî a fŭli iḷstretd caṭlog aveḷbl fṛm ɖ Gaḷri Bcšop, n a prôgram v twcs, turz n crietv wrcšops. In Rūm 17 ɖr z a cómpḷmntri dsple Wŭdingrevñ n ɖ Brŭcgrīn Scūl: Îlīn Êgar, Grtrūd Hrmīz, Bler Hyz-Stantn, Henri Mur n ɖer Cntmprriz.”

GAḶRI WEBSAIT

Continue reading LEON UNDERWOOD: FIGURE AND RHYTHM │ Pallant House Gallery, Chichester → 14 June 2015

CONSCIENCE AND CONFLICT: British artists and the Spanish Civil War │ Laing Art Gallery, Newcastle upon Tyne → 7 June 2015

Pablo Picasso, Weeping Woman,1937
Pablo Picasso, Weeping Woman,1937

“Fīčrñ wrcs bî ātists includñ Picaso, Henri Mur, Edẉd Bura, Windm Luis n Jon Āmstroñ, amñst uɖrz, ɖs xibišn wl rvil hâ a jeṇrešn v Britiš ātists wr drwn intu ɖ Spaniš Sivl Wor. Ẇl mni went t fît in ɖ wor ɖmslvz, uɖrz crietd pôstrz campenñ fr êd fr refyjīz, or crietd wrcs ɖt md firs ṗlitcl stêtmnts.

Ɖ Spaniš Sivl Wor (1936–9) wz wn v ɖ most significnt conflicts v ɖ twentiiʈ senčri. Ẇl Britiš litrri riaẋnz t ɖ conflict hv bn mč xamind, ɖs xibišn, in pātnršp wɖ Paḷnt Hâs Gaḷri, z ɖ frst t xplor ɖ rspons v Britiš vižl ātists.

Ɖ Spaniš Sivl Wor wz fwt btwn ɖ Spaniš Rpublic n a rebl Našnlist fws, led bî Jenṛl Franco. It ynîtd ɖ abstract n riylist ātists v ɖ tîm t criet a dvrs ātistc rspons t ɖ fît agnst fasizm.

Wn v ɖ most fems wrcs on šo z Picaso’z Wīpñ Wmn (1937.) Ɖs z on dsple alñsd mtirı̣l dītêlñ ɖ impact in Britn v ɖ ātist’s îconic pêntñ, Guernica, ẇč travld t ɖ YC in 1938.

Ɖ xibišn includz lounwrcs fṛm bʈ public n prîvt c̣lẋnz in a renj v mīdia, includñ pêntñ, printmêcñ n sculpčr.”

GAḶRI WEBSAIT

Continue reading CONSCIENCE AND CONFLICT: British artists and the Spanish Civil War │ Laing Art Gallery, Newcastle upon Tyne → 7 June 2015

A RUSSIAN FAIRYTALE: THE ART AND CRAFT OF ELENA POLENOVA │ Watts Gallery, Surrey → 8 February 2015

“Ɖis xibišn z ɖ frst mêjr retṛspctv âtsd Ruša t xplor ɖ c̣rir v ɖ 19ʈ senčri Rušn pêntr n dzînr, Yelena Polenovā. Šôcêsñ Polenovā’z pṛduẋn in a wîd renj v mīdia, includñ pêntñz, frničr n a selẋn v rerli sīn wrcs on pêpr, ɖ xibišn demnstrets Polenovā’z impwtnt rôl in ɖ Rušn craftrivîvl v ɖ 1880z.

Olɖo Yelena Polenovā (1850–98) n Mẹri Wots (1849–1938) nvr met, xtrōdnri paṛlelz btwn ɖ tu ātists’ crietv lîvz hv cntribytd t a pātnršp btwn ɖ Polenov Stêtmyziym in Ruša n Wots Gaḷri.

Ɖis grândbrêcñ xibišn nt onli undrscorz ɖ streñʈ n dvrṣti v Rušn ātistc practis at ɖ fin-de-siecle, bt olso gvz wn v Ruša’z grtst wiminātists ɖ inṭnašnl recgnišn ɖt š dzrvz. It standz tesṭmnt t ɖ rîzñ inṭnašnl prôfîl v ɖ Wots Gaḷri, n its wilñṇs t stêj ambišs n iṇṿtv ivnts. – Roẓlind P. Blêxli”

GAḶRI WEBSAIT


Nicḷs Trômnz, Đ APOLO MAĠZĪN, 14 Nvmbr 2014

LOVE IS ENOUGH: WILLIAM MORRIS AND ANDY WARHOL │ Modern Art Oxford → 8 March 2015

Luv z Inuf drwz tgɖr îconic n rerli sīn wrcs bî tu jaynts v ɖ 19ʈ n 20ʈ senčriz. Ɖs uncnvenšnl combinešn v ātists’ wrc z kretd bî Trnr Prîz-winñ ātist Jeṛmi Delr, hu sáits Moris n Wōhol az hiz tu grtst ātistc inflụnsz.

Delr drwz mni ṣprîzñ cnẋnz btwn ɖz tu ātists, hu left an indeḷbl māc on ɖer jeṇrešnz n āğbli ɖoz ɖt folod. Moris n Wōhol bʈ istablišt printmêcñ biznisz n dstribytd ɖer wrc ʈru ny fwmz v maspṛduẋn. Bʈ wr načṛl c̣laḅretrz hu wrct wɖ ɖ prominnt ātists v ɖer tîm t dveḷp wrcñmeʈdz ɖt dd mč t rīdifîn ɖ ātist’s rlešnšp t ɖ stydio n factri. Moris ačivd ɖs ʈru hiz mastrñ v crafțecnīcs n hiz rjẋn v industrı̣l prôsesz, n Wōhol ʈru ɖ actiṿtiz v ɖ Factri, ẇč ofn paṛdid ɖ industrı̣l culčr v ɖ mid-lêt 20ʈ senčri.

Wrcs swst fṛm public n prîvt c̣lẋnz acrs ɖ YC n ɖ YSA includ a paṇl fṛm ɖ epic n rerli sīn Hóuli Grêl taṗstrīsiriz cmplitd bî Wiłm Moris in 1896. Alñsd wl b šôn a ṣlẋn v Wōhol’z îconic silcscrīnz n ācîvl mtirı̣l fṛm ɖ trežrtrov ɖt z ɖ Wōhol Myziym in Pitsbrg, includñ a sînd fôṭgraf v Šrli Templ pôstd t a ʈrtīnyirold Andi fṛm ɖ actṛs in 1941.


Abt ɖ Kretr

Jeṛmi Delr studid Āthistri at ɖ Cwtold Instityt n at Susx Ynivrṣti. Aftr mītñ Andi Wōhol in 1986, h spent tu wīcs at ɖ Factri in Ny Ywc. H bgan mcñ ātwrcs in ɖ ŕli 1990z, ofn šowñ ɖm âtsd v cnvnšnl gaḷriz. In 1993, ẇl hiz pẹrnts wr on hoḷde, h sīcṛtli yzd ɖ famlīhom fr an xibišn tîtld Ôpn Bedrūm.

For yirz lêtr h pṛdyst ɖ myzicl pfwmns Asidbras wɖ ɖ Wiłmz-Fẹri Band, n bgan mcñ āt in c̣laḅrešn wɖ uɖr ppl.

Delr stêjd Ɖ Batl v Ōgrīv in 2001, cmišnd bî Ātenjl n Čanl 4, drctd bî Mîc Figis, a riinactmnt ẇč brwt tgɖr arnd 1000 vetṛn mainrz n membrz v historicl ssaytiz t rīstej ɖ 1984 claš btwn mainrz n ṗlīs at Ōgrīv, Ywcšr.

In 2004, Delr wun ɖ Trnr Prîz fr Memrībucit (2003), a dokmntri abt Txs.

H hz sns md a nmbr v dokmntriz on subjcts renjñ fṛm xotc reslr Êdrı̣n Strīt t dîhād inṭnašnl fanz v ɖ band Dpeš Môd.

In 2009 Delr undrtc a rôdtrip acrs ɖ YS fṛm Ny Ywc t Los Anjlīz alñ wɖ an Iraci sitizn n a YS worvetṛn, towñ a car dstrýd in a boṃtac in Bagdad. Ɖ projct, It Z Ẇt It Z, wz prizntd at ɖ Ny Myziym, Ny Ywc; ɖ car z nâ pāt v ɖ Impirı̣l Wormyziym’z C̣lẋn. In ɖ sem yir, h stêjd Pṛsešn in Mančestr, involvñ ptisipnts, cmišnd flôts, corı̣graft myzic n pfwmnsz, crietñ an od n seḷbreṭri spectcl.”

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