“Sr Anṭni Van Dîc’s last Slfportrit z wn v ɖ most rmarcbl slfportrits evr pêntd in Britn…Đs z a ynīc oṗtyṇti t si slfportrits fṛm ɖ gaḷri’z c̣lẋn alñsd lounz fṛm ɖ Naśnl Portritgaḷri n cntmprri artists.”
Angelica Kauffmann, oil on canvas, c. 1770-1775, National Portrait Gallery
Louise Jopling, 1877, Manchester City Galleries
Wyndham Lewis: Portrait of the Artist as the Painter Raphael, 1921, Bridgeman Images photo credit: Manchester City Galleries
Brian Griffin, bromide print, 1988, (detail), National Portrait Gallery
Julian Opie (‘Julian with T-shirt’), LCD screen with integrated software, 2005, National Portrait Gallery
Tolkien’s Mount Doom as seen in the film of Lord of the Rings
Tolkien’s iron fortress in Mordor, as seen in Lord of the Rings
Sarehole Mill, near the hamlet of Sarehole, Birmingham, where Tolkien grew up. Photograph: David Mansell
Euripides Altintzoglou’s photograph of the long-closed gates of Sunbeam Union Mill, on the outskirts of Wolverhampton. Courtesy of Wolverhampton Art Gallery
Empire Marketing Board Poster by Clive Arthur Gardiner: A blast furnace, 1927
The forest by Olafur Eliasson
Sean Astin and Elijah Wood in The Lord Of The Rings
“Mwdor cunjrz imijz v a čard wêstland xplýtd fr its rzwsz. Ɖs xibišn xplorz ɖ lncs btwn J.R.R. Tolcīn’z dpiẋnz v ɖs fanṭsīrījn in Ɖ Lwd v ɖ Rñz n ɖ Blac Cuntri v ɖ 1900z, ẇč le a fy mîlz fṛm hiz čîldhdhom.
Alñsd imijz fṛm Tolcīn’z scečbcs, sînd frst idišnz v hiz novlz n îconic iḷstrešnz bî conseptātist Ted Nêsmiʈ, Ɖ Mcñ v Mwdor fīčrz wrcs bî uɖr 20ʈ senčri raitrz n ātists hu hv bn inflụnst bî ɖ industrı̣l pârhâs v ɖ West Midḷndz. Cntmprri rsponsz t ɖ pôstindustrı̣l Blac Cuntri wl olso b on šo, includñ wrcs bî Trnr Prîz nominī Ričd Bilñm, ftogṛfr Brayn Grifin n ātist Yripidīz Altintzoglu, alñ wɖ an indor forist bî inṭnašnli aclemd insṭleṣ̌nātist Ôḷfur Eliysn.”