‘EPIPHANIAS AN STÜHLEN’ │ 2011 │ Fôto: Gêbrịl Šābo
‘EPIPHANIAS AN STÜHLEN’ │ 2011 │ Fôto: Gêbrịl Šābo
PĀHĪZIA │ 2012
PĀHĪZIA │ 2012
PĀHĪZIA │ 2012 │ Fôto: Gêbrịl Šābo
“Ɖ fôc̣s v ɖs lūsli croṇlojicl xibišn z West’s combinešnpìsz, in ẇč ɖ ātist cmbînd verı̣s indivijl pìsz n subsiqntli rīcmbînd ɖm in dfṛnt cnfiğrešnz. Dy t ɖs combinešn n rīcombinešn v dfṛnt cndz v wrc includñ Adaptvz, frničr, sculpčr, vidioz n wrcs on pêpr fṛm dfṛnt pirı̣dz, ɖ xibišn pṛvîdz a mč nīdd n hîli antisipetd mêjr YC šowñ v West’s vẹrid, influenšl n pṛlific practis.
Hir at Ɖ Hepẉʈ Wêcfīld ɖ xibišn olso investigets ɖ cnẋnz n paṛlelz btwn ɖ wrc v Franz West n Bābra Hepẉʈ. Wɖ a plêfl yt strîcñ intvnšn intu Ɖ Hepẉʈ Famli Giftgaḷri, ɖs xibišn wl plês bʈ artists’ wrc in convsešn: ɖ ys v ɖ deṃcratc mtirı̣l v plastr; ɖ significns v ɖ stydioinvîrnmnt; n ɖ rpitd rtrn t rīcnfiğrñ n adaptñ prīvı̣s wrc.
Franz West’s practis z funḍmentli ptisiṗtri n sīcs daylog wɖ ɖ vywr. Hiz wrc ofrz verı̣s psbltiz fr xpirı̣nsñ ɖ wrld wɖ evrčenjñ rzults ɖt dpnd on rsipı̣nt n contxt. Ɖs ingejmnt cn têc plês on a fizicl levl—az in ɖ cês v ɖ Adaptvz, ẇč r ment t adapt t ɖ bodi—bt olso on a mentl or inṭlcčl levl, az z ɖ cês wɖ hiz insṭlešnz or wrcs on pêpr. West’s wrc z unpritnšs, lîtfŭtd, n hymṛs, bt fândd on an intns ingejmnt wɖ fiḷsoficl ʈt, an ŕli cnsrn ẇč intnsifîd ʈrt ɖ ātist’s lîf.
Ẇr z mî Êt?wz inišietd n côdiveḷpt wɖ ɖ Myziym v Modn Āt, Viena, n bî Franz West wɖ grt inʈyziazm bfr hiz deʈ n pṛvîdz insît intu West’s complx n mni-leyrd ātpractis.
Franz West: Ẇr z mî Êt? z ṣpwtd bî ɖ Henri Mor Fândešn, Crân Fîn Āt n ɖ Ostrı̣n Culčṛl Fwṛm, Lundn.”
MC EVRƮÑ LÎC IT’S YR LAST – GUN, 2013, fôto: Mātin Āgiroglo
IMAJINIYRÑ, 2013, fôto: Mātin Āgiroglo
I Z… (IV), I Z… (V), I Z… (VI), 2013, fôto: Patric Qêl
NÔT T SELF. RĪƮÑC EVRƮÑ, 2012, fôto: Diêgo Beruecos
C++, 2013, fôto: Mātin Āgiroglo
CM ON! ƮÑC! 2011, fôto: Iła Rbaṇvič
MAGṆS ÔṖS, 2013, fôto: Mātin Āgiroglo
Đ RETINL ACÂNT, OR N ẆN Y R OLDR Y WL G AWE, Y’L SI INJUSTIS N Y’L SI PÊN, 2014
“Mc evri šo lîc it’s yr last, z a mêjr xibišn v wrc bî rnând Britiš cnspčl ātist, Rayn Gandr. Đs šo z pāt v an inṭnašnl turprôgram, bt wl têc on a spešl ny fwm ẇn it z stêjd in Mančestr, prizntñ ny wrc n wrc prīvı̣sli unsin in ɖ YC.
Gandr studid in Mančestr fr hiz undrgrajt dgri n wl b iḷstretñ hiz clôs cnẋn t ɖ siti ʈru ny wrc crietd xclusvli fr s. Đ xibišn wl xplor tu rīsnt ʈīmz in Gandr’z wrc; Imajinirñ n Culčrfīld. Brññ tgɖr verı̣s mīdia t hîlît ɖ ātist’s plêfl wit, ɖ ātwrcs in ɖs xibišn wl xplor ɖ rlešnšps btwn ōʈr, wrc n vywr ẇr ɖ rūlz r constntli rīdifînd.”