Tag Archives: Greece

In Ñspel: The Guardian view on the British Museum losses: a diplomatic own goal

A visitor views the Parthenon marbles at the British Museum in London. Photograph: Daniel Leal/AFP/Getty Images
A vizitr vyz ɖ Parʈ̇nón marblz at ɖ Britiś Ḿziym in Lundn. Foṭgraf: Dańl Leal/AFP/Geti Iṃjz

Ɖ Gardịn vy on ɖ Britiś Ḿziym losz: a dipḷmatic ǒn gol

Transcription of a Gardian editorial of 25 August 2023

Ɖ dis’piṛns v arṭfacts hz dlivrd a propganḍcù t neśnz campenñ fr ɖ rtrn v historicl treźrz

Frîde, 25 Ōġst 2023

Az ǒn golz g, ɖ reṿleśnz abt ɖ dis’piṛns v arṭfacts fṛm ɖ Britiś Ḿziym ɖt léd t Frîde nît’s reẓgneśn v its d’rectr, Hartwig Fischer, r î-popñ. Most v ɖ misñ objicts mt nt b v gret valy: nirli a ʈǎznd cem fṛm a bqst md bî ɖ faṃli v an 18ʈ-snć̣ri c’lectr, n hd bn stord awe in a dror wɖt īvn biyñ indivijli caṭlogd.

Bt ɖ naṛtiv z devstetñ. Ẃn ɖ dror wz opnd, it hz bn rportd, onli sevn îtmz rmend. Ɖ ḿziym hd bn wornd in 2021 ɖt objicts fṛm its c’lex́n hd bn trnñ p fr seil, bt Mr Fischer sd ɖt, aftr an intrnl invstgeśn, h wz confidnt ol hd bn acǎntd fr. It wz onli ẃn ɖ bōrd v d’rectrz wz alrtd ɖt frɖr ax́n wz tecn. Bî ɖ tîm ɖ ʈefts wr md public last wīc, a sīńr stāfmembr hd bn sact n ɖ Metṛpolitn p’līs cōld in. Nǎ ɖ d’rectr himslf hz gn, tù.

Dez lêtr, ɖ hed v ɖ Asośieśn v Grīc Arcioḷjists pǎnst, seyñ ɖ ḿziym cd no longr mnten ɖt it wz betr ɖn Grīs at pṛtctñ Grīc culćṛl heṛtij. Dspīna Cǒtsūmbá wz, v cors, rfŕñ t ɖ loñ-runñ dspyt ovr ǒnrśp v ɖ Parʈ̇nón marblz. Grīs’z culćrministr, Līna Mendoni, tld ɖ nyzpepr T Vima ɖt ɖ insidnt “riinforsz ɖ prṃnnt n just dmand v ǎr cuntri fr [ɖer] dfiṇtiv rtrn”.

It wl nt hv gn uņotist bî Jorj Ozbōrn, ɖ ćer v ɖ Britiś Ḿziym trustīz n formr ćanslr v ɖ xćecr, ɖt ɖs z ɖ lanḡj v a dipḷmatic pǎns. H wz rdyst t fībli pariyñ ɖt ɖ insidnt “onli riinforsz ɖ ces fr ɖ riimaɉneśn v ɖ ḿziym w hv imbarct upn”.

Dītelz v ɖs biłn-pǎnd “riimaɉneśn” – ẃć includ a mejr rībild n a cmitmnt t bcm a net ziro-carbn ḿziym – r dy t b rvild ɖs ōtm. Bt ɖ fremwrc, leid ǎt bî Mr Ozbōrn in a spīć t trustīz last yir, md it clir hǎ imposbl it z fr eni sć viźn t flot fri v clemz fr resttyśn v, in hiz wrdz, “ɖ treźrz w hold in trust fr ol hymncînd”.

Pndñ ɖ rzults v ɖ p’līs invstgeśn, it z imposbl t nǒ hǎ xtnsivli ɖs trust hz bn brocn. Tim Lōtn, ćer v ɖ ol-parti parḷmntri grūp on ɖ Britiś Ḿziym, akzd Grīs ɖs wīc v “bletnt oṗtynizm.” Bt ɖ rūmrmil hz bn ćrnñ, wɖ aṇcdotl rports ɖt insîdrʈeft fṛm YC ḿziymz hz bn wîdspred fr yirz.

Ɖ vast mjoṛti v stāf r undǎtidli onist n dedcetd t a voceśn ɖt z abt rsrć az wel az dsple: caṭlogñ z an xōstiv n ongwñ proses, n ɖ ḿziym hz sd ɖt mni v ɖ misñ objicts wr hld mnli fr acdemic prṗsz. Bt Mz Cǒtsūmbá hz a pônt. Ɖ ces drwz atnśn t ɖ probḷmz v rsponsbli cẹrñ fr n kretñ a c’lex́n v mor ɖn 8m objicts fṛm ol ovr ɖ wrld, sm v ẃć śd b rtrnd.

Ɖs z nǎ a dfînñ crîsis fr ɖ 21st-snć̣ri Britiś Ḿziym. Ɖ ćôs v Dr Fischer’z s’xesr z piṿtl. Ɖ ḿziym wl nīd t b sìn t pt its hǎs in ordr swiftli n dsîsivli f it z t pswed uɖrz t folo its riimaɉnñ v itslf az – in Mr Ozbōrn’z wrdz – a custodịn v ǎr comn hymaṇti.

Instroduction to Ñspel

"House by the Railroad," Edward Hopper, 1925

In Ñspel: The Guardian view on danger at sea: looking out for all those in peril

Survivors from the fishing boat that sank in the Mediterranean in Kalamata, Greece. Photograph: Thanassis Stavrakis/AP
Svîvrz fṛm ɖ fiśñbot ɖt sanc in ɖ Mediṭreńn in Calamata, Grīs. Foṭgraf: Ʈanasis Stavracis/AP

Ɖ Gardịn vy on denjr at sī: lcñ ǎt fr ol ɖoz in peṛl

Transcription of a Guardian editorial of 20 June 2023

Ɖ contrast btwn ɖ frantic hunt fr a misñ sbmrsbl n ɖ fełr t sev mîgṛnts drǎnñ in ɖ Mediṭreńn z iluṃnetñ

Tyzde, 20 Jūn 2023

A  masiv oṗreśn z undr we t fînd n sev a stricn vesl n its pasinjrz. Az tîm pasz, añśs faṃliz n frendz wêt wɖ growñ fir. Ɖ YS cǒstgard, Cnedịn armd forsz n cmrśl veslz r ol huntñ fr ɖ Tîtn sbmrsbl, ẃć hz gn misñ wɖ fîv abōrd on a dîv t ɖ rec v ɖ Tîtanic in ɖ norʈ Atlantic. Ɖ YC’z Miṇstri v Dfns z olso moniṭrñ ɖ sićueśn.

It z hard t ʈnc v a starcr contrast wɖ ɖ rspons t a fiśñbot ẃć sanc in ɖ Mediṭreńn last wīc wɖ an esṭmetd 750 ppl, includñ ćildṛn, páct onbōrd. Onli abt 100 svîvd, mcñ ɖs wn v ɖ dedliist dzastrz in ɖ Mediṭreńn. Grīs n ɖ YY blem ppl-smuglrz, hu oṿcrǎd bots n abyz ɖoz abōrd ɖm. Bt bʈ hv pṛfǎnd qsćnz t ansr abt ɖer ǒn rǒl in sć dzastrz. Acṭvists se oʈoṛtiz wr rpitidli wornd v ɖ denjr ɖs bot fest, aurz bfr it wnt dǎn, bt feld t act.

Grīs hz sd ɖt ɖ vesl wz muvñ steḍli, wz nt at risc, n ɖt pasinjrz rfyzd hlp; svîvrz n tracñdeta pent a vri difṛnt picćr. Ɖ Grīc cǒstgard’z record includz forṣbl n denjṛs pśbacs v asîḷmsīcrz, wɖ a rīsnt vidio śowñ a faṃli includñ smōl ćildṛn biyñ set adrift on a raft. Fruntx, ɖ YY’z bordr n cǒst gard, z olso – rîtli – undr growñ scrūṭni.

Ursula von der Leyen, ɖ Yṛpiyn Cmiśn prezidnt, hz prezd Grīs az ɖ blóc’s “śīld” agnst mîgreśn – nt onli aplōdñ its rǒl, bt yzñ ɖ lanḡj v combat n slf-dfns. Josep Borrell, ɖ YY’z foṛn-poḷsi ćīf, last yir dscrîbd Yṛp az a “gardn” n most v ɖ wrld az a “jungl” ẃć “cd inved” it unls ɖr wz gretr ingejmnt. Folowñ ɖ baclaś, h sd h wz sori “f sm wr ofndd” n insistd h wz rfŕñ t ɖ rūl v lw in contrast wɖ lwlisnis. On ɖ most jenṛs intrpṛteśn, h śoud a starṭlñ ignṛns v ɖ impḷceśnz v sć lanḡj. On a mor sinicl wn, h pandrd t it.

Ɖ reṭric v a hostîl wrld’z incroćmnt upn Yṛp z yzd in part t trî t stem ɖ advans v ɖ faŗît, śowñ ɖt mênstrīm poḷtiśnz n ofiślz r nt ignorñ ɖ iśuz it xplôts t win s’port. Bt ɖs cntribyts t an invîrnmnt in ẃć ɖr z a growñ sns v an “s”, livñ in sefti n reḷtiv cumḟt, menist bî a “ɖm” sīcñ ɖ sem ʈñz. Most v ɖoz on bōrd ɖ bot last wīc r b’livd t hv bn Pacistani naṣ́nlz, hu hd groun despṛt az ɖ cuntri’z ic̣nomic sićueśn dtirịretd.

“Mîgṛnt” hz bcm a wrd ɖt dsgîzz rɖr ɖn iluṃnets ɖ indivijlz bhnd ɖ lebl – hymnz wɖ ɖ yźl struglz, hops n firz fr ɖmslvz n ɖer faṃliz, luvd az dirli az eni uɖrz, n az dzrvñ v digṇti, sefti n cnsrn. Ɖt masdrǎnñz hv bcm so comn – mor ɖn 25,000 ppl hv daid or gn misñ in ɖ Mediṭreńn sins 2014 – z śemfl in itslf. Ẃt z wrs z ɖt ɖz dzastrz hv cm t b sìn az olmst norml. Pleinz n bots r scrambld t sev a hanfl v ppl hu tc a risc fr an advnćr, ẃl ćildṛn n adults in iminnt denjr wêt untl ctastṛfi strîcs.

Instroduction to Ñspel

"House by the Railroad," Edward Hopper, 1925

In Ñspel: The Observer view on the Greek migrant boat tragedy: the west must admit responsibility

A picture of the boat carrying migrants before it sank about 50 miles off southern Greece. Up to 750 people were believed to be on board. Greek authorities have confirmed 78 deaths and said 104 survivors were brought ashore. Photograph: Anadolu Agency/Getty Images
A picćr v ɖ bot cariyñ mîgṛnts bfr it sanc abt 50 mîlz of suɖn Grīs. P t 750 ppl wr b’livd t b on bōrd. Grīc oʈoṛtiz hv cnfrmd 78 deʈs n sd 104 svîvrz wr bròt aśor. Foṭgraf: Anadolu Ejnsi/Geti Iṃjz

Ɖ Obzrvr vy on ɖ Grīc mîgṛntbot traɉdi: ɖ wst mst admit rsponsbiḷti

Transcription of an Observer editorial of 17 June 2023

Horrz at sī wl cntiny untl ɖ wst fesz p t its rsponsbiḷtiz n recgnîzz its part in ɖ plît v refyjīz

Saṭde, 17 Jūn 2023

Ɖ  naṣ́naḷtiz v ɖ sevṛl hundṛd ppl asymd t hv drǎnd in ɖ lêtist, teribl mîgṛntbot traɉdi in ɖ Mediṭreńn hlp xplen ẃ ɖe atmtd so periḷs a jrni. Pacistaniz, Ijipśnz, Sirịnz, Afganz n Paḷstińnz rportidli cmprîzd most v ɖ aproxiṃtli 750 pasinjrz cramd on t ɖ unsìwrɖi vesl ɖt set of fṛm Tobrŭc in Libia n sanc 50 mîlz of ɖ cǒst v Grīs last Wnzde.

Ɖ list v cuntriz v oṛjin z an indx v pen, fr ẃć ɖ YY, Britn n ɖer alîz ber mć rsponsbiḷti. Ɖ wst’s fełr t stop ɖ Sirịn reźīm’z wor on its ppl léd t ɖ 2015-16 mîgṛntcrîsis, ẃn hundṛdz v ʈǎzndz v Sirịnz sòt sefti in Yṛp. Olɖo fîtñ hz sbsîdd, mni, includñ Paḷstińnz livñ in despṛt cndiśnz in camps in ɖ wor-torn cuntri, stl fli prṣkśn bî a vnjfl reźīm, or r qitñ an incrisñli un’coṃdetñ Trci.

It cn b no s’prîz ɖt Afganz wr abōrd ɖ bot. Ɖ dsiźn bî ɖ YC n Yṛpiyn Nato membrz t jôn ɖ YS in abandnñ Afgaṇstan in 2021 trigrd a pridictbl crîsis. Ɖ YN sz 28.3 miłn ppl, tū-ʈrdz v ɖ popyleśn, wl nīd rjnt hymaṇterịn asistns ɖs yir. Dspotic Taḷban rūl mcs matrz wrs. Litl wundr ppl rzort t despṛt meźrz.

Ɖs arğmnt me b xtndd frɖr, t includ ppl fṛm uɖr nglectd, post-c’lońl cuntriz in ɖ Horn v Africa, ɖ Shél n Sǎʈ Eźa, huz sns v hoplisnis, impoṿriśmnt n cronic inṣkṛti fylz mîgreśn.

Last wīc’s traɉdi hz pṛdyst a toṛnt v rcriṃneśnz. Ɖ Grīc cǒstgard z criṭsîzd fr nt dwñ mor or actñ fast inuf t hlp ɖ stricn trōlr. Ɖ ofiśl stori v ẃt hapnd at sī apirz t ćenj dêli. Grīs’z guvnmnt z agn undr fîr, gvn its rīsntli tufnd antīmîgṛnt stans n prīvịs, śocñ cesz v bot “pśbac”. Sevṛl alejd ppl smuglrz hv bn arestd. Eni invstgeśn mst b ʈura n imparśl. Yt ɖr’z no misṭri abt ɖ rūts v ɖ nvr-endñ mîgṛnt crîsis.

Yṛpiyn cuntriz, includñ Britn, hv psistntli feld t dveḷp a hymen, chiṛnt n ifctiv aproć t ɖ ćaḷnjz pozd bî ireğlr mîgreśn. Aftr ɖ 2015-16 influx, Jrṃni’z Angela Merkel cut a wn-of dīl wɖ Trci t crb refyjīfloz. A subsiqnt agrīmnt wɖ Libia dd nt hōlt abysz in dtnśncamps or ny sêlñz. Bruslz z nǎ dscusñ pemnts t Tynizia. Fr its part, Britn cut a randm dīl wɖ Rwanda, in brīć v inṭnaśnl lw.

Yt oṿol, eḟts t dtŕ ɖz denjṛs voyjz, in ɖ Mediṭreńn n ɖ Ćanl, r fǎnḍrñ, wɖ ɖ numbrz v crosñz n deʈs rîzñ ɖs yir. Far tù fy sef, līgl rùts xist. N inṭnaśnl coorḍneśn z lacñ. Ẃɖr ɖ ny YY-wîd mîgreśn-n-asîḷm páct wl mc eni difṛns z qsćṇbl. Antīimigṛnt guvnmnts in Poḷnd n Hunġri rmen avrs t hlpñ “fruntlîn” stets sć az Iṭli n Grīs. Mnẃl, mîgreśn z bcmñ a hot p’liticl iśu agn az faŗît partiz advans acrs Yṛp.

Śort-trm fixz n Rwanda-tîp ẃizz wl nt privnt mor traɉdiz. Ɖ nīd t rec̣gnîz funḍmntl cōzz n tacl mîgreśnćaḷnjz at sors z rjnt. Ɖt mst mīn xpandd, sstemic cooṗreśn ẃrvr p’liticli poṣbl wɖ cuntriz v oṛjin n transit. It mīnz oḟrñ mor (nt les) dveḷpmnt ed n asistns. It mīnz acnoḷjñ fūd inṣkṛti, iniqoḷti, conflict n clîṃtcrîsis – ci drîvrz v ireğlr mîgreśn – r probḷmz ɖ wst hlpt criet.

Instroduction to Ñspel

"House by the Railroad," Edward Hopper, 1925

In Ñspel: The Guardian view on another migrant tragedy: pieties are not enough

Migrants arrive at the port of Kalamata in Greece, following a rescue operation after their boat capsized at open seat on Wednesday. Photograph: Eurokinissi/Reuters
Mîgṛnts arîv at ɖ port v Caḷmata in Grīs, folowñ a resk oṗreśn aftr ɖer bot capsîzd at opn sī on Wnzde. Foṭgraf: Yroc̣nīsi/Rôtrz

Ɖ Gardịn vy on anɖr mîgṛnțraɉdi: paytiz r nt inuf

Transcription of a Guardian editorial of 15 June 2023

Yṛp’s atmts t insylet itslf fṛm a globl crîsis risc mcñ a despṛt sićueśn wrs

Ʈrzde, 15 Jūn 2023

Acordñ t svîvrz, ɖ fiśñbot cariyñ mnli Afgan n Pacistani mîgṛnts twdz Iṭli capsîzd olmst instnteńsli on Wnzde. At līst 78 ppl r noun t hv daid, bt ɖ tru numbr me b mć hayr. Hundṛdz v ppl wr páct intu ɖ inadiqt vesl, ẃć fǎndrd 50 mîlz fṛm ɖ Grīc cọstl tǎn v Pīlós.

In Grīs, p’liticl partiz sspndd priilex́n campenñ, n ʈri dez v mōrnñ hv bn dclerd. Bt ɖr z a rīzn ẃ ɖ dūmd bot wz traṿlñ on ɖ opn sī, in wn v ɖ dīpist parts v ɖ Mediṭreńn. Mîgṛntbots r tecñ bigr riscs n mcñ longr jrniz t avôd ɖ ptrolz n ilīgl pśbacs dokmntd in Grīs. Jrñ hiz campen t b riilectd prîm̦inistr, Ciriacós Mitsotacis md p’liticl he bî ćaṇlñ Trumpịn mtīfs n proṃsñ t xtnd a bordrwōl wɖ Trci.

Az ɖs wīc’s traɉdi iḷstrets, dṛcońn dteṛnsmeźrz d nt stop ireğlr mîgreśn; ɖe fors despṛt ppl t contmplet stl mor denjṛs ax́nz. Bt it z nt onli Grīs ɖt śd tec stoc. Ʈrt Yṛp, guvnmnts r disinjenẏsli clemñ ɖt ɖ irex́n v hî wōlz n barbd-wîr fnsz, n ɖ pāmñ of v rsponsbiḷti fr asîḷmsīcrz t ʈrd-parti cuntriz, cn b cnstrùd az a moṛl act. “Brecñ ɖ ppl smuglrz’ biznis modl” hz bcm ɖ justiḟceśn fr a Fortris Yṛp straṭji t insylet sm v ɖ wrld’z rićist ssaytiz fṛm ɖ consiqnsz v globl crîsīz.

Drîvrz v forst dsplesmnt – conflict, ɖ clîṃt imrjnsi, atacs on hymn rîts n ic̣nomic inṣkṛti – hv bcm fīćrz v ɖ 21st-snć̣ri jioṗliticl lanscep. Bt ɖ ny Yṛp, incrisñli inflụnst bî ɖ radicl rît, z biẓli ǎtsorsñ its conśns via dybịs dīlz. On Súnde, ɖ YY ǎtlînd a ptnśl agrīmnt wɖ Tynizia’z oʈoṛterịn līdr, Caīs Saīd, in ẃć ɖ norʈ Africn cuntri wl rsiv ic̣nomic ed in rtrn fr rampñ p bordrcntrol n fasiḷtetñ rpatrieśnz fṛm Iṭli.

Mr Saīd rīsntli pṛmotd a cnspiṛsiʈiyri ɖt blac Africn mîgṛnts r biyñ dploid az a ʈret t Tynizia’z Aṛb-Mŭzlim culćr – līdñ t vayḷnt atacs on sub-Shaṛn refyjīz. Nɖr ɖs, nr ɖ apōlñ abys v mîgṛnts hld in neḅrñ Libịn dtnśncamps fundd bî Iṭli, apirz t hv gvn ɖ YY pōz fr ʈt. In fact – in acordns wɖ ɖ wś v ɖ Itałn prîm̦inistr, Giorgia Meloni – ɖ rūlz on “sef” non-YY desṭneśnz fr aplic̣nts dnaid asîḷm wr wōtrd dǎn last wīc. Britn, v cors, stl planz t sumṛli dspać ireğlr mîgṛnts t Rwanda, in contṛvnśn v inṭnaśnl lw.

Ɖs wīc, ɖ YNHCR rportd a record 19.1m rîz in forst dsplesmnts yir on yir. Yṛp, t its lastñ dscredit, z larjli līvñ ɖ wrld’z purr cuntriz t cǒp wɖ ɖ fōlǎt. Bt wɖt mor sef n līgl rùts t Yṛpiyn cuntriz, a vri smōl pṛporśn v ɖz ppl wl trî t rīć ɖ continnt smhǎ. N az wz ɖ ces ɖs wīc, sm wl dî in ɖ atmt. A ćenj v aproć n a ćenj v hart z nīdd.

Instroduction to Ñspel

"House by the Railroad," Edward Hopper, 1925

Fṛm Đ Gardịn: Seven-year-old Greek piano prodigy pens an ‘isolation waltz’

Stelios Kerasidis during a lesson in Athens in July last year. Photograph: Costas Baltas/Reuters
Stelios Ceṛsīdis jrñ a lésn in Aʈnz in Jlî last yir. Foṭgraf: Cosṭs Balṭs/Rôtrz
Sevn-yir-old Grīc pianoproḍji pnz an ‘îṣleśnwōlts’

(Transcription of an article published in the Guardian on 6 April 2020)

Stelios Ceṛsīdis sz hiz lêtist wrc z ‘fr ppl hu sufr n îṣlet bcz v Covid-19’

Heḷna Smiʈ in Aʈnz, Munde, 6 Epril 2020

Muv ovr Motsart, hir cmz Stelios Ceṛsīdis. A sevn-yir-old Grīc proḍji hz pnd an “îṣleśnwōlts” inspîrd bî ɖ pandemic.

Ɖ hipnotic, fyglîc meḷdi hz pict p mor ɖn 43,000 hits on YTyb sins its lōnć last wīc.

“Hai gaiz! I’m Stelios. Let’s b jst a tīni bit mor peśnt n w wl sn b ǎt swimñ in ɖ sì,” h bīmz, prćt on hiz pianostūl, fīt bérli tućñ ɖ flor. “I’m dedcetñ t y a pìs v mî ǒn.”

Ɖ wrc, hiz ʈrd compziśn, wz ritn ispeṣ́li “fr ppl hu sufr n ɖoz hu îṣlet bcz v Covid-19,” h adz.

Stelios Ceṛsīdis’z Îṣleśnwōlts

Born in Aʈnz in 2012 t Fotis n Aġʈa Ceṛsīdis, bʈ pianists hu nǎ tīć him, Stelios frst pformd in public at ɖ ej v ʈri.

In 2018 h pleid Śopã’z Wōlts in A Mînr at Ny Yorc’s Carnegi Hōl, n last yir h apird at Lundn’z Royl Alḅt Hōl pformñ on Eltn Jon’s feṃs red piano.Stelios sz hiz feṿrit piynist z ɖ lêt Cnedịn Glen Gūld, bst noun fr hiz tecnicli dmandñ rendiśnz v Bah verieśnz.

Ɖ Grīc hz śoun a fler fr cmpozñ. Hiz tū rlịr wrcs wr ritn fr hiz sistrz, Vronica n Aṇsteźa, n lîc Îṣleśnwōlts wr met wɖ criticl aclem.

Grīs hz bn undr locdǎn fr longr ɖn most uɖr Yṛpiyn neśnz, ɖ guvnmnt hvñ clozd scūlz olmst a munʈ ago. Last wīc ɖ guvnmnt anǎnst ɖt swimñ wz olso fbidn az ɖ meźrz wr ramt p.

Ɖ pricōśnri steps apir t b wrcñ: Grīs hz rportd 79 deʈs n fywr ɖn 1,800 cnfrmd c’roṇvîṛs cesz, far fywr ɖn sm uɖr cuntriz.

Stelios, hu z lîcli t b hombaund fr sm tîm yt, hz nt hintd ẃɖr h hz anɖr compziśn p hiz slīv.

Instroduction to Ñspel