Tag Archives: Jake and Dinos Chapman
FATAL CONSEQUENCES: THE CHAPMAN BROTHERS AND GOYA’S DISASTERS OF WAR │ Fitzwilliam Museum, Cambridge → 8 February 2015
The Disasters of War, etching, 1999. From the set bought with the help of the Art Fund and the V&A/MLA Purchase Grant Fund, 2010
The Disasters of War, 1999. Collection of Charles Booth-Clibborn
Great deeds – against the dead! (2003)
Nobody Knows Why (2003)
On Account of a Knife (2003)
Sad Presentiments of What Must Come to Pass, (2003)
This is Worse (2003)
What is this Hubbub? (2003)
Gigantic Fun, 2000. Etching from a portfolio of 83, 37 x 42.3 cm. Photo: Stephen White
“Ɖ siriz v 83 ečñz Ɖ Dzastrz v Wor (1999) bî Jêc n Dīnos Čapmn adapts n sbvrts Goia’z siriz v ɖ sem tîtl, bt olso coments on ɖ cruwltiz n fêtl consiqnsz v lêtr worz. Ɖs xibišn šoz hâ ɖ ātists mnipyletd ɖ imijri n impact bî printñ a secnd vršn in ẇît ñc on blac pêpr, n a ʈrd vršn on pêjz fṛm a čîld’z culrñbc, wɖ čilñ n smtmz comic ifct. Ɖs z ptklrli strîcñ ẇn vyd agnst a ṣlẋn v prints fṛm Goia’z orijinl siriz, rvilñ ɖ fl consiqnsz v ɖ Čapmn Bruɖrz’ invnšn n inṭvnšn.
Fêtl Consiqnsz z dzînd t cómpliment ɖ cncuṛnt Sîḷnt Pātnrz xibišn, ẇč olso includz ɖ Čapmn Bruɖrz’ wrc. It z pāt v a sīqns v xibišnz on ɖ ʈīm v wor mācñ ɖ sentīnri v ɖ Frst Wrldwor, n in ɖs cês olso mācñ ɖ 200ʈ anivrsri v ɖ Spaniš Pninsylr Wor, ẇč wz ɖ subjct v Goia’z siriz.”
JAKE & DINOS CHAPMAN: IN THE REALM OF THE UNMENTIONABLE │ Jerwood Art Gallery, Hastings, Sussex → 7 January 2015
The Same Only Better (left). 2014. Photograph: Felix Clay
Los Caprichos, Etching Commission, 2014
The Human Rainbow II, 2014
Human Rainbow, 2014 © Jake and Dinos Chapman
Coloured Human Rainbow, 2014
Sturm und Drang, 2014. Photograph: Felix Clay
Sturm und Drang, 2014 (detail)
The Sum of All Evil. 2012-3. Photograph: Felix Clay
The Sum of all Evil (detail), 2012-2013
The Sum of All Evil (detail). Photograph: Felix Clay
One Day You Will No Longer Be Loved (that it should come to this) XVII
One Day You Will No Longer Be Loved (that it should come to this) XVII, 2013
The Axminster of Evil, 2008
Little Death Machine (Castrated, Ossified). Bronze. 2006. Photograph: Felix Clay
Installation view. Photograph: Felix Clay
Dinos and Jake Chapman (L-R) stand in their installation Untitled at the Jerwood Gallery, Hastings Photograph: Felix Clay/Guardian
Dinos Chapman takes pen to skin during a for one-day only tattoo parlour in which people could get a distinctively Chapman tattoo. Photograph: Felix Clay/The Guardian
Jake and Dinos Chapman, Photo by Nic Serpell — Rand Photography
“A mêjr xibišn v wrc bî Jêc n Dīnos Čapmn, huz pṛvoc̣tv n confṛntešnl āt cntinyz t astoniš ɖ vywr.
Jêc n Dīnos Čapmn r amñ ɖ bst-nôn n most significnt Britiš ātists wrcñ tde. In ɖ Relm v ɖ Unmnšṇbl brñz tgɖr sm îconic pìsz fṛm ɖ last deced, alñ wɖ wrcs ɖt hv nt prīvịsli bn on public dsple, n ny wrcs crietd sṗsificli fr ɖs xibišn.
Jêc n Dīnos Čapmnz’ wrc z ptklrli cnsrnd wɖ cnsymrculčr, mwtaḷti, mraḷti, rlijn n horr. Ɖe cntiny t b inflụnst bî ɖ wrc v Fransisco Goia (1746–1828) n Žwž Batî (1897–1962), Sriylizm, filoṣfi, sîcoḷji, n ɖ hoḷcwst. In an xpšnl bodi v wrc ɖt incumṗsz a vast renj v ātfwmz n mīdia, Jêc n Dīnos Čapmn ingej wɖ funḍmntl qesčnz abt ẇt it z t b hymn.
Ɖs xibišn hz bn crâdfundd ʈru ɖ Ātfund’z Āt Hapnz projct.”
A hilerı̣s, horifayñ ōji v dācṇs (Ɖ Gādịn)
Ɖ ‘bd býz’ hu luv t temt ɖ vywr n ɖen smac ɖm (Ɖ Indipndnt)