Tag Archives: Jeremy Deller
FIGHTING HISTORY │ Tate Britain, London → 13 September 2015
GALLERY
ARTISTS
John Singleton Copley, Benjamin West, Richard Hamilton, Dexter Dalwood, William Frederick Yeames, John Minton, Jeremy Deller
“Lcñ at hâ artists hv trnsformd significnt ivnts intu pêntñz n artwrcs ɖt incurij s t rflct on âr ôn plês in histri”
Gavin Hamilton: Agrippina Landing at Brindisium with the Ashes of Germanicus, 1765-72. Oil on canvas, 1825 x 2560 mm
John Minton: The Death of Nelson, 1952. Oil on canvas, Royal College of Art
Allen Jones: The Battle of Hastings, 1961-2. Oil on canvas, 1829 x 1829 mm
Richard Eurich: The Landing at Dieppe, 19 August 1942, 1942-3. Oil on wood, 1219 x 1753 mm
Richard Hamilton: The Citizen, 1981-3. Oil on canvas. Tate
Jeremy Deller: Jacket from The Battle of Orgreave Archive (An Injury to one is an Injury to All), 2001. Wall painting, paint on fibreboard, vinyl text, map, books, jacket, shield, printed papers, 2 videos and audio video, projection, colour and sound, 62 mins
Dexter Dalwood: The Poll Tax Riots (detail), 2005
Guardian: “Allen Jones’ The Battle of Hastings, 1961-2, juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile, 1800. Photograph: Guy Bell/REX Shutterstock”
Robin Blake FINANCIAL TIMES 12 June 2015
Alastair Smart TELEGRAPH 9 June 2015
Lyubomira Kirilova UPCOMING 9 June 2015
Jonathan Jones GUARDIAN 8 June 2015
Mark Brown GUARDIAN 8 June 2015
LOVE IS ENOUGH: WILLIAM MORRIS AND ANDY WARHOL │ Modern Art Oxford → 8 March 2015
The Attainment: The Vision of the Holy Grail to Sir Galahad, Sir Bors, and Sir Perceval (also known as The Achievement of the Grail or The Achievement of Sir Galahad, accompanied by Sir Bors, and Sir Perceval). , Number 6 of the Holy Grail tapestries woven by Morris & Co. 1891-94 for Stanmore Hall. This version woven by Morris & Co. for Lawrence Hodson of Compton Hall 1895-96. Wool and silk on cotton warp. Birmingham Museum and Art Gallery.
Printed Fabric Design- Kennet. By William Morris. 1883. Accession number: 1941P404. Pencil, watercolour on paper touched with white. Width: 667 mm Height: 1011 mm
Acanthus block, No. 002016 11B from the Morris & Co. archive. © Morris & Co. and Andy Stagg
Wallpaper Design – Acanthus. By William Morris. 1879 – 1881. Accession number: 1941P413. Watercolour over pencil on paper. Width: 688 mm. Height: 812 mm
St James wallpaper. William Morris
Andy Warhol: Flowers, 1970, screenprint. © Anthony D’Offray and DACS, London
Installation image. Andy Warhol: Marilyn. Photo: Andy Keate
Andy Warhol, Dame Elizabeth Taylor, 1967. © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London.
Joan Collins, by Andy Warhol. National Portrait Gallery, London. Date painted: 1985. Silkscreen ink on synthetic polymer paint on canvas, 101.6 x 101.6 cm. Collection: National Portrait Gallery, London
Love is Enough (pattern), Jeremy Deller & Fraser Muggeridge studio
Installation image. Photo: Andy Keate
Installation image © Modern Art Oxford. Image: Andy Keate
Morris, Marshall, Faulkner & Co ‘The Story of Tristram and Isoude’, 1862. Panel 13 ‘King Arthur and Lancelot’ designed by William Morris. © Collection of Bradford Museums & Galleries
Andy Warhol and William Morris. Photograph: Getty
“Luv z Inuf drwz tgɖr îconic n rerli sīn wrcs bî tu jaynts v ɖ 19ʈ n 20ʈ senčriz. Ɖs uncnvenšnl combinešn v ātists’ wrc z kretd bî Trnr Prîz-winñ ātist Jeṛmi Delr, hu sáits Moris n Wōhol az hiz tu grtst ātistc inflụnsz.
Delr drwz mni ṣprîzñ cnẋnz btwn ɖz tu ātists, hu left an indeḷbl māc on ɖer jeṇrešnz n āğbli ɖoz ɖt folod. Moris n Wōhol bʈ istablišt printmêcñ biznisz n dstribytd ɖer wrc ʈru ny fwmz v maspṛduẋn. Bʈ wr načṛl c̣laḅretrz hu wrct wɖ ɖ prominnt ātists v ɖer tîm t dveḷp wrcñmeʈdz ɖt dd mč t rīdifîn ɖ ātist’s rlešnšp t ɖ stydio n factri. Moris ačivd ɖs ʈru hiz mastrñ v crafțecnīcs n hiz rjẋn v industrı̣l prôsesz, n Wōhol ʈru ɖ actiṿtiz v ɖ Factri, ẇč ofn paṛdid ɖ industrı̣l culčr v ɖ mid-lêt 20ʈ senčri.
Wrcs swst fṛm public n prîvt c̣lẋnz acrs ɖ YC n ɖ YSA includ a paṇl fṛm ɖ epic n rerli sīn Hóuli Grêl taṗstrīsiriz cmplitd bî Wiłm Moris in 1896. Alñsd wl b šôn a ṣlẋn v Wōhol’z îconic silcscrīnz n ācîvl mtirı̣l fṛm ɖ trežrtrov ɖt z ɖ Wōhol Myziym in Pitsbrg, includñ a sînd fôṭgraf v Šrli Templ pôstd t a ʈrtīnyirold Andi fṛm ɖ actṛs in 1941.
Abt ɖ Kretr
Jeṛmi Delr studid Āthistri at ɖ Cwtold Instityt n at Susx Ynivrṣti. Aftr mītñ Andi Wōhol in 1986, h spent tu wīcs at ɖ Factri in Ny Ywc. H bgan mcñ ātwrcs in ɖ ŕli 1990z, ofn šowñ ɖm âtsd v cnvnšnl gaḷriz. In 1993, ẇl hiz pẹrnts wr on hoḷde, h sīcṛtli yzd ɖ famlīhom fr an xibišn tîtld Ôpn Bedrūm.
For yirz lêtr h pṛdyst ɖ myzicl pfwmns Asidbras wɖ ɖ Wiłmz-Fẹri Band, n bgan mcñ āt in c̣laḅrešn wɖ uɖr ppl.
Delr stêjd Ɖ Batl v Ōgrīv in 2001, cmišnd bî Ātenjl n Čanl 4, drctd bî Mîc Figis, a riinactmnt ẇč brwt tgɖr arnd 1000 vetṛn mainrz n membrz v historicl ssaytiz t rīstej ɖ 1984 claš btwn mainrz n ṗlīs at Ōgrīv, Ywcšr.
In 2004, Delr wun ɖ Trnr Prîz fr Memrībucit (2003), a dokmntri abt Txs.
H hz sns md a nmbr v dokmntriz on subjcts renjñ fṛm xotc reslr Êdrı̣n Strīt t dîhād inṭnašnl fanz v ɖ band Dpeš Môd.
In 2009 Delr undrtc a rôdtrip acrs ɖ YS fṛm Ny Ywc t Los Anjlīz alñ wɖ an Iraci sitizn n a YS worvetṛn, towñ a car dstrýd in a boṃtac in Bagdad. Ɖ projct, It Z Ẇt It Z, wz prizntd at ɖ Ny Myziym, Ny Ywc; ɖ car z nâ pāt v ɖ Impirı̣l Wormyziym’z C̣lẋn. In ɖ sem yir, h stêjd Pṛsešn in Mančestr, involvñ ptisipnts, cmišnd flôts, corı̣graft myzic n pfwmnsz, crietñ an od n seḷbreṭri spectcl.”
Continue reading LOVE IS ENOUGH: WILLIAM MORRIS AND ANDY WARHOL │ Modern Art Oxford → 8 March 2015
ALL THAT IS SOLID MELTS INTO AIR │ Curated by Jeremy Deller │ Laing Art Gallery, Newcastle upon Tyne → 26 October 2014
Toṃs Aḷm│SWÊNSN BIRLI COTNMIL NIR PRESTN, LANC̣ŠR│1834│Pensl, pen, sīpia n woš│Saynsmyziym
Jêmz Šāplz│Đ FWJ│1847│Ŷl on canvs│89 x 129 sm│Blacbrn Myziym n Ātgaḷri
(Atribytd t) Jon Mātin│Đ DSTRUCŠN V SODM N GMORA│Ŷl on canvs│119 x 170 sm│Scābra Myziymz n Gaḷri
(Atribytd t) Wiłm Jônz Čapmn│DÊVID DÊVIZ, SINDRFILR, HIRWŌN│c. 1835-40│36.3 x 25.6 sm │Našnl Myziym, Wêlz
W. Clêtn│AYNWRCRZ, TRIDĪGR, WÊLZ│1865│Fôto ensl, pen, sīpia n woš│Saynsmyziym
Denis Hučinsn│ÊDRỊN STRĪT N HIZ FAĐR│1973│Fôto
Ben Robts│AṂZN UNPACT│Fôtoz
“Jeṛmi Delr, hu reprizntd Britn in last yir’z Venis Bienāle, yzz cntmprri myzic, film n ftogṛfi alñsd a vast renj v 19ʈ senčri imijz n objcts t têc a prsnl lc at ɖ impact v ɖ Industrı̣l Revlušn on Britiš popylr culčr. Delr apročz ɖs welʈ v mtirı̣l lîc a sošl cātogṛfr, rvilñ ɖ leilînz v culčṛl histri.
Delr xplorz hâ ɖ trwma v ɖ Industrı̣l Revlušn n ceotc ŕḅnîzešn afctd Britiš ssayti, fôc̣sñ on embḷmatc figrz includñ Êdrı̣n Strīt. Born intu a Welš mînñfamli, Strīt rjctd a lîf in ɖ mainz t bcm a flamboynt androjiṇs inṭnašnl reslr. Olso fīčrd z Jêmz Šāplz, a 19ʈ senčri blacsmiʈ n slf-twt pêntr fṛm Blacbrn, fems fr hiz mč-rīpṛdyst imij, Ɖ Fwj; n myzic fṛm industrı̣l tânz huz rūts cn b trêst bac ʈru jeṇrešnz v wrcrz in factriz n milz.
Ɖ radicl trnsfmešn v ɖ landscep in ɖ ŕli industrı̣l iyra z pârfli ivoct in Victorı̣n imijz v factriz ablez at nît, šôn alñsd ɖ Lêñ’z ôn 19ʈ senčri apoc̣liptc pêntñ, Ɖ Dstruẋn v Sodm n Gmora bî Jon Mātin.
Industrı̣l fôcmyzic, ɖ insesnt riɖmz n racit v ɖ factrīflor, hevīmetl n glamroc, prmiet ɖ xibišn in sândinsṭlešnz n film.
A Hêẉd Turñexibišn. Fri entri.”