Henry Percy, 9th Earl of Northumberland (c.1595), Nicholas Hilliard
Lucy, Countess of Bedford (c.1606), Isaac Oliver
Lake Nemi (c.1788) John Robert Cozens
Shakespeare Cliff, Dover (c. 1825), J. M. W. Turner
The Magic Apple Tree (c. 1830), Samuel Palmer
Venice, Storm at Sunset. Turner, Joseph Mallord William (British, 1775-1851). Watercolour and bodycolour with pen and red ink and scratching out on paper, 1840-1842.
Still life flowers in a jar (c. 1890), Paul Cézanne
Carolus-Duran, 1879. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (photo by Michael Agee).
Ramón Subercaseaux, c.1880. The Dixon Gallery and Gardens, Memphis, Tennessee
‘Édouard and Marie-Louise Pailleron’ (1881)
Dr. Pozzi at Home 1881. Oil on canvas. 79 3/8 x 40 1/4 in. (201.6 x 102.2 cm). The Armand Hammer Collection
Robert Louis Stevenson and His Wife, by John Singer Sargent, 1885. Photograph: Dwight Primiano/NPG
Carnation, Lily, Lily, Rose, 1885-6
Robert Louis Stevenson, 1887. Taft Museum of Art, Cincinnati, Ohio
‘Claude Monet Painting by the Edge of a Wood’, 1888
Paul Helleu sketching with his wife (An Out-of-Doors Study), 1889. Brooklyn Museum of Art
La Carmencita, 1890. Paris, Musée d’Orsay
W. Graham Robertson,1894
An Artist in His Studio, 1904. Museum of Fine Arts, Boston
Group with Parasols, c.1904-5. Private Collection
Henry James, 1913
“Jon Sñr Sājnt (1856-1925) wz ɖ grtst pwtritpêntr v hiz jeṇrešn. Aclemd on bʈ sîdz v ɖ Atlantc, h wz clôsli cnctd t mni v ɖ uɖr līdñ ātists, raitrz, actrz n myzišnz v ɖ tîm. Hiz pwtrits v ɖz frendz n cntmprriz, includñ Ōgūst Rodĩ, Clwd Mone n Robt Lui Stīvnsn, wr rerli cmišnd n alaud hm t criet mr intiṃt n xperimntl wrcs ɖn wz psbl in hiz fwml pwtričr.
Ɖs mêjr xibišn v ovr sevnti pwtrits spanz Sājnt’s tîm in Lundn, Paris, Bostn n Ny Ywc az wel az hiz travlz in ɖ Itałn n Ñgliš cuntrīsîd. Impwtnt lounz fṛm gaḷriz n prîvt c̣lẋnz in Yṛp n America mc ɖs an unmiṣbl oṗtyṇti t dscuvr ɖ ātist’s most dẹrñ, prsnl n dstnctv pwtrits.
PARIS, 1874-1885
Born in Floṛns in 1856 t an xpatrı̣t Americn cupl, Jon Sñr Sājnt spent hiz fwṃtv yirz turñ Yṛpiyn sitiz n rzwts. On dsîdñ t studi pêntñ in Paris, h inrold at ɖ École des Beaux Arts in 1874 ẇl simlteňsli dveḷpñ hiz briłnt gifts az a pêntr undr ɖ tīčñ v Carolūs-Dŭrã, a fašṇbl Frenč pwtritist.
Sājnt wz at īz in ɖ wrld v Paris stydioz n fwmd frendšps wɖ a wîd renj v Frenč ātists n felo xpatrı̣ts. Wn v hiz clôsist frendz wz Pwl Êlu, ɖ eḷgnt pêntr n ečr v ɖ bômõd. H sōt ât Clwd Mone, hu wd rmen a lîfloñ frend v bʈ men, n Ōgūst Rodĩ, a tîtn v ɖ Frenč ātwrld. Sājnt wz xpšnli wîdli réd, ispešli in ɖ Frenč clasics, bt olso in cntmprri litṛčr.
An ŕli pêtṛn, ɖ Frenč plêrît Edwād Pîerõ, cmišnd pwtrits v hmslf, hiz wîf n hiz čildṛn, fr ẇč Sājnt wz cmperd t Von Dêc. Ɖ ātist wz a giftd piynist n a pašṇt myzicoḷjist. Hiz moḍnist cridnšlz wr demnstretd bî hiz admirešn fr ɖ myzic v Ričd Vāgṇr, n olso bî hiz inʈyziastc rspons t Spaniš myzic n dans, ẇč inspîrd fḷmnco picčrz n pwtrits.
BRWDWE, 1885-1889
Sājnt’s mastrpìs, Cānešn, Lili, Lili, Rôz, wz pêntd ẇn h wz btwn lîf in Paris n Lundn (1885-6). Ɖ ātist’s dsižn t muv rezidns fṛm wn t ɖ uɖr cem at a tîm v crîsis, ẇn hiz c̣rir wz in jeṗdi aftr hiz pṛvoc̣tv pwtrit v Madam X (Madam Pier Gôtro) cōzd a scandl at ɖ Paris Ṣlon in 1884. H fând solis in ɖ Anglo-Americn coḷni v ātists n raitrz in ɖ Cotswold vilij v Brwdwe, ẇč includd ɖ Americn ātists Franc Milit n Edwin Ostin Abi, ɖ Ñgliš iḷstretr Fred Bānād, n ɖ raitrz Henri Jêmz n Edṃnd Gos. Hir h pêntd hiz fems gādnpicčr, a cnstructd sìn yzñ ɖ Bānād dwtrz az modlz, n pwtrits v uɖr membrz v ɖ cmyṇti, includñ Lili Milit n Alis Bānād.
In Bwnṃʈ, at ɖs sem pirı̣d, h capčrd ɖ wîri frem n nrvs eṇji v ɖ raitr Robt Lui Stīvnsn in tu intns caṛcṭrîzešnz. Sājnt wz xperimentñ wɖ an Impreṣ̌nist paḷt, pêntñ vivid scečz v felo ātists at wrc ât-v-dorz, includñ Clwd Mone n Pwl Êlu, n landscêps az avãgād az eni biyñ pṛdyst in Ñgḷnd at ɖ tîm.
BOSTN n NY YWC, 1888-1912
Sājnt nvr gev p hiz Americn sitiznšp. H wz at hom in Bostn n Ny Ywc, ẇr h hd mni frendz n pêtṛnz n a brjnñ repytešn. In ɖ fwmr siti h carid ʈru hiz tu grt myṛl scīmz v dec̣rešn, in ɖ Bostn Public Lîbrri n ɖ Myziym v Fîn Āts.
In 1890, Sājnt hd ɖ oṗtyṇti v pêntñ sm v ɖ grt Americn actrz v ɖ êj fr ɖ Pleyrz Club in Ny Ywc, includñ Edwin Buɖ n Loṛns Baṛt. A fy yirz lêtr h pêntd ɖ Šêxpirı̣n actṛs Êda Riyn, n dru Mẹri Anḍsn. 1890 wz ɖ yir in ẇč Sājnt pêntd ɖ flamboynt Spaniš dansr Cāmenʈita, hu intranst Ny Ywc ōdı̣nsz wɖ hr fḷmnco dansñ.
Myzic wz a bond wɖ Iẓbela Stywt Gādnr, wn v Bostn’z culčṛl līdrz, t hūm h gev ɖ pwtrit v ɖ cmpozr Čālz Mātin Lrfḷr az a brʈdêgift.
LUNDN, 1889-1913
Sājnt wz imrst in ɖ vîbṛnt culčṛl lîf v Lundn, n a frend t mni ātists, raitrz n myzišnz. In ɖ 1890z, h wz imrjñ az ɖ līdñ Anglo-Americn pwtritpêntr v hiz jeṇrešn, n mcñ hiz māc az a myṛlist wɖ hiz cmišn, Ɖ Trîumf v Rlijn, fr ɖ Bostn Public Librri.
In 1894 Sājnt pêntd ɖ êjñ Ñgliš powt Covntri Patmor n, bî contrast, ɖ raitr n iḷstretr W. Greym Robtsn, ɖ ipiṭmi v yʈ n isʈetc rfînmnt. Ɖ noṿlist Jwj Meṛdiʈ n ɖ powt Wiłm Butḷr Yêts bʈ sat t Sājnt fr čācoldrōñz, n in 1913 ɖ ātist’s intiṃt frend Henri Jêmz, fr a pêntñ t seḷbret hiz 70ʈ brʈde.
Sājnt wz xtrimli influenšl on ɖ Lundn myzicl sìn, pṛmotñ ɖ c̣rirz v mni myzišnz, amñ ɖm ɖ Frenč cmpozr Gabriel Fore. Ɖ Lundn ʈiytr z reprizntd bî ɖ ṣprb pwtrit v Eḷn Teri az Lêdi Mcbeʈ, a ʈiatricl n ātistc turd’fws; bî ɖ enigmatc Itałn actṛs Elionora Dūse, in a strenj n mstirı̣s imij, n bî ɖ plêrît n actrmaṇjr Hāli Granvil-Bācr, hu revluṣ̌nîzd ʈiatricl pṛduẋnz.
YṚP, 1899-1914
In ɖ pirı̣d aftr 1900, Sājnt agn trnd t landscêp az a rlif fṛm pwtritcmišnz, travlñ č sumr n ōtm t ɖ Alps, Venis n suɖn Yṛp. H wz inverı̣bli acumṗnid bî frendz, hu, f nt olwz in ɖ top flît v ātists, wr sbstanšl n taḷntd ppl. H md a pýnt v pêntñ ɖm az ɖe scečt, pirñ az it wr ovr ɖer šoldrz t si ẇt ɖe r dwñ.
Ɖz picčrz mt b cnstrud az a fwm v slfpwtričr, ɖ ātist myzñ on hiz ôn rôl in rcwdñ ɖ načṛl wrld ẇl wočñ uɖrz at wrc. W r preznt az āt z biyñ md, bt âr intrpṛtr z Sājnt n it z sīn ʈru hiz îz. Amñ ɖ mastrpìsz in ɖs žãra r An Ātist in hiz Stydio, dpictñ ɖ Itałn pêntr Ambrojo Raf̦ele; Ɖ Fânṭn, a picčr v Jên d’Glên scečñ wočt bî hr huzbnd Wilfrid, n Villa Torre Galli: Ɖ Lôja, ẇr Sr Wiłm Blêc Ričmnd n Wilfrid d’Glên cnfrunt wn anɖr fṛm oṗzit cwnrz v ɖ spês.”
The Fountain, Villa Torlonia, Frascati, Italy, 1907. Oil on canvas 71.4 x 56.5 cm
Jon Sñr Sājnt│LUXMBRG GĀDNZ AT TWÎLÎT│1879│Fôto: Čālz Wōlbrij
Čîld Hazm│LE JOUR DE GRAND PRIX│1888
Edmnd C. Tābl│ƮRI SISTRZ – A STUDI IN JŪN SÚNLÎT│1890
Mẹri Csat│WMN SITÑ WĐ A ČÎLD IN HR ĀMZ│c. 1890
Edmnd C. Tābl│IN Đ ŌČD│1891
Mẹri Csat│SÚMRTÎM│1894
Franc W. Bensn│EḶNR│1901
Ʈiydor Robinsn│BLOSMZ AT ŽIVERNI│1891–2
Ʈiydor Robinsn│Đ WEDÑMĀČ│1892
Franc Bensn│SÚNLÎT│1909
“Ɖ xibišn trêsz ɖ dscuvri v Impreṣ̌nizm bî Americn ātists in ɖ lêt 19ʈ senčri. Dvîdd intu for grūps, ɖz includ: mêjr figrz sč az Mẹri Csat, Jon Sñr Sājnt n Jêmz McNil Ẇistlr hu livd in Paris n wr clôs prsnl frendz v ɖ Frenč Impreṣ̌nists, ispeṣ̌li Degā n Mone; ɖ grūp v Americn ātists hu trênd in Paris n/or setld nir Mone at Živerni in 1887; Americn Impreṣ̌nists wrcñ in ɖ YSA, includñ Wiłm Merit Čês, Čîld Hazm n Ʈiydor Robinsn n Lêtr Impreṣ̌nizm n ɖ Americn grūp nôn az Ɖ Ten.
Ɖs xibišn z ōġnîzd bî ɖ musée des impressionnismes Živerni n ɖ Tera Fândešn fr Americn Āt in c̣laḅrešn wɖ ɖ Naṣ̌nl Galriz v Scotḷnd n ɖ Museo Thyssen-Bornemisza. Wɖ ɖ jenṛs ṣpwt v ɖ Tera Fândešn fr Americn Āt.”