Tag Archives: Kazimir Malevich

ADVENTURES OF THE BLACK SQUARE: ABSTRACT ART AND SOCIETY 1915–2015 │ Whitechapel Gallery, London — 6 April 2015

El Lissitzky Beat the Whites with the Red Wedge! 1919–1920. Van Abbemuseum, Eindhoven
El Lissitzky Beat the Whites with the Red Wedge! 1919–1920. Van Abbemuseum, Eindhoven

“Ɖs epic šo têcs Cazimir Małevič’z radicl pêntñ v a blac sqr – frst šôn in Ruša 100 yirz ago – az ɖ embḷm v a ny āt n a ny ssayti. Ɖ xibišn fīčrz ovr 100 ātists hu tc p its leġsi, fṛm Buenos Îres t Tehran, Lundn t Brlin, Ny Ywc t Tel Aviv. Ɖer pêntñz, fôṭgrafs n sculpčrz simḅlîz Moḍnizm’z ytôpı̣n aspirešnz n brêcdânz.

Prizntd croṇlojcli ɖ šo foloz for ʈīmz:

Ytôpia z xprest ʈru Małevič’z blac sqr, ɖ pṛjenitr v ny isʈetc n ṗlitcl hrîznz, sizd bî ātists fṛm Vladimir Tatlin t Eliu Oičisīca.

Ācitectonics priznts flôtñ jioṃtriz ɖt pṛpoz ny sošl spêsz az imajind bî Łubov Popovā or Pīt Mondrian n Liym Gilic.

Cmynicešn spredz ɖ mesij t ɖ masz in manifstos n avãgād grafics.

Ɖ Evrīde imbedz rūtīnz n objcts in ɖ isʈetcs v prôgres az obzrvd in a txtîl bî Sôfi Tâbr-Āp or ɖ abstract mtifs pêntd on Ṗrūvı̣n loriz capčrd bî Armando Andrade Tudela. Midl Īstn ātists sč az Nazgol Ansarinia lnc Moḍnizm wɖ Aṛbic n Pršn decṛtv āts; ẇl Westn ātists sč az Luis Balts, Pītr Hali or Jeni Holtsr critīc ic̣nomic n ṗlitcl abstraẋn. Advnčrz v ɖ Blac Sqr xplorz hâ abstract āt hz travld wrldwîd, prmietñ âr lîf n tîmz.”

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Continue reading ADVENTURES OF THE BLACK SQUARE: ABSTRACT ART AND SOCIETY 1915–2015 │ Whitechapel Gallery, London — 6 April 2015

MALEVICH │ Tate Modern, London → 26 October 2014

Cazimir Małevič, an ātist az influenšl az h wz radicl, cast a loñ šado ovr ɖ histri v modn āt. Ɖs, hiz frst retṛspctv in ʈrti yirz n ɖ frst evr in ɖ YC, ynîts wrcs fṛm c̣lẋnz in Ruša, ɖ YS n Yṛp t tel a fasinetñ stwri v revlušnri îdiylz n ɖ pâr v āt itslf.

Małevič (1879–1935) livd n wrct ʈru wn v ɖ most trbyḷnt pirı̣dz in twentiiʈ-senčri histri. Hvñ cm v êj in Zarist Ruša, Małevič witṇst ɖ Frst Wrldwor n ɖ Octobr Revlušn frst-hand.

Hiz ŕli xperimnts az a pêntr led hm twdz ɖ invnšn v sūpreṃtizm, a bold vižl lanĝj v abstract jı̣mtric šêps n stāc culrz, ipiṭmîzd bî ɖ Blac Sqr. Wn v ɖ dfînñ wrcs v Moḍnizm, ɖ pêntñ wz rvild t ɖ wrld aftr munʈs v sīcṛsi n wz hidn agn fr olmst hāf a senčri aftr its crietr’z deʈ. It sits on a par wɖ Dūšã’z redi-md az a gemčenjñ mmnt in twentiiʈ-senčri āt n cntinyz t inspîr n cnfând vywrz t ɖs de.

Stātñ fṛm hiz ŕli pêntñz v Rušn landsceps, agriculčṛl wrcrz n rlijs sìnz, ɖ xibišn foloz Małevič’z jrni twdz abstract pêntñ n hiz sūpreṃtist mastrpìsz, hiz temprri abandnmnt v pêntñ in fevr v tīčñ n raitñ, n hiz mučdbetd rtrn t fiğṛtv pêntñ in lêtr lîf.

Brññ tgɖr pêntñz, sculpčrz, ʈiytr n an unpreṣdentd c̣lẋn v drōñz it ofrz a cmplit vy v hiz c̣rir, seḷbretñ sm v ɖ most pṛgresv āt evr md.”

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Continue reading MALEVICH │ Tate Modern, London → 26 October 2014