“Dpictñ ɖ difṛnt stêjz of ɖ Arîvl of Sprñ, fṛm glūmi wintrsīnz t vîbṛntli brît sprñ”
The Arrival of Spring in Woldgate, East Yorkshire in 2011… 29 December (2010). iPad drawing printed on four sheets of paper, mounted on four sheets of Dibond, edition of 10. 236 x 178 cm
13 January (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
19 February (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
5 March (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
16 March (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
21 March (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
25 March (2011). iPad drawing printed on four sheets of paper, mounted on four sheets of Dibond, edition of 10. 236 x 178 cm
30 March (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
12 April (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
19 April (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
24 April (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
27 April (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
4 May (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
14 May (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
16 May (2011). iPad drawing printed on four sheets of paper, mounted on four sheets of Dibond, edition of 10. 236 x 178 cm
18 May (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
30 May (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
2 June (2011). iPad drawing printed on paper, edition of 25. 139.7 x 105.4
Bird’s Nest headdress with Swarovski gemstones, Widows of Culloden, A/W 2006–07. Philip Treacy and Shaun Leane for Alexander McQueen. Model: Snejana Onopka, Image: Courtesy Swarovski Archive
“Fândd in 1994, ɖ Zablŭdovič C̣lẋn hz rapidli groun t bcm wn v ɖ wrld’z līdñ indipndnt cntmprri ātc̣lẋnz. It nâ cntenz ovr 3000 wrcs bî ovr 500 ātists, n cntinyz t gro n ivolv. Ɖs ny xbišn gvz an insît intu ɖ dveḷpmnt v a histri stl in ɖ prôses v biyñ ritn.
Significnt n rerli sīn wrcs bî ovr 30 līdñ ātists wl b dspled ʈrt ɖ gaḷriz. Ɖ rūts v ɖ C̣lẋn in 1990z Lundn wl b ɖ fôc̣s v wn sẋn, fīčrñ ɖ ātists hu trnsfwmd ɖ landscep v cntmprri āt in ɖ siti n ɖ YC, sč az Dêmı̣n Hrst, Rêčl Ẇîtrīd n Mātin Crīd. Pạnirñ inṭnašnl ātists hu hv inflụnst ɖ fwmz n prôsesz v cntmprri āt wl olso fīčr, sč az Sigmar Polca, Īza Genscn n Crisṭfr Wŭl.
Hîlîtñ ɖ Zablŭdovič C̣lẋn’z on-gwñ cmitmnt t ṣpwtñ ātists ŕli in ɖer c̣rirz, imrsv mixt-mīdia insṭlešnz bî Americn ātist Ṣmara Goldn, n a c̣laḅrešn btwn YC ātists Lwra Bucli, Hrūn Mirza n Dev Mclīn wl b riimajind. Ɖr wl olso b dṛmatc inṭvnšns ɖt trnsfwm ɖ čaṗlācitecčr, sč az Jim Lambi’z brîtli culrd florwrc Zobop (Fḷresnt), 2006.
Ɖ xbišn wl b acumṗnid bî an ivntsprôgram, ẇč includz a simpozı̣m in Me in pātnršp wɖ Ynivrsti Colij Lundn Āt Myziym. Bʈ instityšnz hv ātc̣lẋnz ɖt spotlît imrjñ ātpractis; têcñ ɖs šerd intṛst az a stātñpýnt, līdñ ac̣demics, kretrz, c̣lctrz n ātists wl xamin išuz arnd c̣lctñ ny n xperimntl āt.”
Alexandre da Cunha, Velour Series, 2005-06. Installation view, Revolution des Altäglichen, Museum Morsbroich, Leverkusen. Courtesy the artist and Thomas Dane Gallery, London
Sarah Lucas, Spamaggedon, 2014, installation view, Zabludowicz Collection: 20 Years, 2015 at Zabludowicz Collection, London. Photo: Tim Bowditch
Julia Wachtel, Untitled (Body Builder), 1989. Courtesy the artist, Zabludowicz Collection, and Vilma Gold, London
Elizabeth Price, USER GROUP DISCO (video still), 2009 HD video installation, 15 min. Courtesy the artist and MOT International, London & Brussels
Sigmar Polke, Untitled, 2003. Gouache on paper. Courtesy Zabludowicz Collection, and Galleri Bo Bjerggaard, Copenhagen
Sigmar Polke, Untitled, 2003. Gouache on paper. Courtesy Zabludowicz Collection, and Galleri Bo Bjerggaard, Copenhagen
Samara Golden: Bad Brains
Jim Lambie: Zobop. Photo: Tim Bowditch
‘Coconut Lamps,’ GuytonWalker, Coconuts, electric wiring, lightbulbs, 2005