ARTISTS INCLUDE
Marina Abramović, Phil Collins, Aleana Egan, Gilbert & George, Kenneth Hall, Shirazeh Houshiary, Caoimhe Kilfeather, Brian King, Ronan McCrea, Brian O’Doherty / Patrick Ireland, Alan Phelan, Kathy Prendergast, Nigel Rolfe, Patrick Scott, Camille Souter, Michael Warren
Anita Byrne PURE M MAGAZINE 6 May 2015
“Ɖs xibišn z biyñ brwt t Pliṃʈ ʈancs t a pātnršp btwn Pninsyla Āts, Pliṃʈ Ynivrsti, Pliṃʈ Ātșentr, Pliṃʈ Siti Myziym n Ātgaḷri n Ɖ Gaḷri at Pliṃʈ Colij v Āt.
Xibišn kretd bî Sinʈia Morisn-Bel n Mîc Cołr in c̣laḅrešn wɖ Aḷster Robinsn n Janit Ros
Wōc On: Fṛm Ričd Loñ t Janit Cādif – 40 Yirz v Ātwōcñ gvz an insît intu ɖ rīsnt ātpractis v nirli 40 ātists. Svṛl r inṭnašṇli aclemd, uɖrz r brît ny taḷnts.
Sm v ɖ fīčrd ātists hv crost cuntriz n continnts, līvñ trêsz v ɖer muvmnts upn ɖ land, or hv md epc jrniz alñ historic saits. Uɖrz hv xplord ɖ psbltiz v wōcñ n hâ ɖ we w wōc šoz ɖ wrld hu w r. Fr sm, ɖ wōc itslf z ɖ ātwrc.
Eniʈñ els z simpli evidns or dokmntešn capčrd in ɖ fôṭgrafs, objcts or txts fṛm ɖer jrniz.
Rgādls v ɖ landscep or lcešn, jrñ ɖ last for decedz ɖz xplorrz hv md ɖer māc. Wōc On šoz ɖt fṛm landāt t cnspčl āt n fṛm strītftogṛfi t film, mč v ɖ impwtnt āt v âr tîm hz bn crietd ʈru an act v wōcñ.
Xibitñ Ātists
Mrīna Abraṃvič, Fransīs Alīs, Tim Brenn, Atŭl Bāla, Janit Cādif, Sôfi Cal, Rêčl Clūlo, Mîc Cołr, Sẹra Culn, Bradli Dêviz, Cris Druwri, Hêmiš Fltn, Alic Finle, Trêsi Hana, Dan Holdswrʈ, Jêmz Hyġnin, Tim Nôlz, Ričd Loñ, Meḷni Mančo, Pat Naldi n Wendi Crkup, Brūs Nwmn, Jūłn Ôpi, Ñgrid Polād, Sîmn Pôp, plan b, Tim Robinsn, Brindīs Snabynzdotir n Māc Wilsn, Jem Sâɖm, Brendn Stywt Brnz, Brayn Tómsn, Rêčl Rrpca, Ričd Wentwrʈ, Jeṛmi Wŭd, Rîts n Saits, wōcwōcwōc, Caʈrin Yas, Cẹri Yuñ.”
MRĪNA AT MIDNÎT:
De 1, De 2, De 3, De 4, De 5, De 6, De 7, De 8, De 9, De 10, De 11, De 12, De 13, De 14, De 15, De 16, De 17, De 18, De 19, De 20, De 21, De 22, De 23, De 24, De 25, De 26, De 27, De 28, De 29, De 30, De 31, De 32, De 33, De 34, De 35, De 36, De 37, De 38, De 39, De 40, De 41, De 42, De 43, De 44, De 45, De 46, De 47, De 48, De 49, De 50, De 51, De 52, De 53, De 54, De 55, De 56, De 57, De 58, De 59, De 60, De 61, De 62, De 63, De 64
“In a ynīc wrc crietd fr ɖ Srpntîn, ɖ inṭnašnli aclemd ātist Mrīna Abraṃvič wl pfwm in ɖ Gaḷri fr ɖ jrešn v hr xibišn: 10am t 6pm, 6 dez a wīc. Crietñ ɖ simplist v invîrnmnts in ɖ Gaḷri spêsz, Abraṃvič’z onli mtirı̣lz wl b hrslf, ɖ ōdı̣ns n a ṣlẋn v props ɖt š me or me nt yz. On arîvl, vizitrz wl bʈ litṛli n meṭforicli līv ɖer bagij bhnd in ōdr t entr ɖ xibišn: bagz, jacits, ilectronic iqipmnt, wočz n camṛz me nt acumṗni ɖm.
Ɖ public wl bcm ɖ pfwmñ bodi, ptisipetñ in ɖ dlivri v an unpresdentd mmnt in ɖ histri v pfwmnsāt.
Mrīna Abraṃvič z a pạnir v pfwmns az an ātfwm, yzñ hr ôn bodi az subjct n objct, š hz pšt ɖ fizicl n mentl limits v hr biyñ. Ɖs z ɖ frst mêjr pfwmns bî Abraṃvič sns hr monymntl pìs Ɖ Ātist z Preznt, at ɖ Myziym v Modn Āt, Ny Ywc, in 2010, in ẇč vizitrz wr invîtd t sit in sîḷns oṗzit ɖ ātist n gêz intu hr îz fr an unspesifîd amânt v tîm. Abraṃvič pfwmd ɖs wrc evri de fr ʈri munʈs.
Ɖ perd-dân nêčr v ɖs xibišn corispondz t Abraṃvič’z intrest in ɖ historicli wel-istablišt rlešnšp btwn āt n nuʈñṇs; vižl ātists includñ Roḅt Bari, Jon Cêj, Mẹri Eḷn Caṛl, Roḅt Ŕwin, Ìv Clîn, Gŭstav Metsgr n Yôco Ôno (t nem onli a vri fy) hv ol xplord ɖ nošn v mtirı̣l absns wɖn ɖer practis. Ɖ îdīa v emtiṇs – v miniṃlizm, rduẋn n simpliṣti – plez an intrinsic rôl in Abraṃvič’z ôn wrc, n hz incrisñli led t mr n mr v ls n ls, a loñstandñ em ɖt š rcwdd in hr Ātist’s Lîf manifsto v 2009. It z ɖs jrni twdz iṃtiriaḷti ɖt hz led hr t ɖs ynīc mmnt in hr wrc, ẇr š wl cmit t an unscriptd n impṛvîzd pfwmns in ɖ gaḷrīspês.
In ɖ ŕli 1970z, az a yuñ ātist in Belgred, Abraṃvič bgan xplorñ ɖ rlešnšp btwn ātist n ōdı̣ns. Sns 1978 š hz cnductd a siriz v wrcšops wɖ ātstydnts, yzñ a siriz v simpl xsîzz t incris fizicl n mentl awerṇs. Ovr ɖ cws v hr c̣rir, Abraṃvič hz cntinyd t dveḷp ɖz wrcšops, xpandñ ɖer scôp t rīč a jenṛl public, ʈru ɖ Mrīna Abraṃvič Instityt.
Ɖ xibišn bî Ed Atcinz têcs plês cncuṛntli at ɖ Srpntîn Saclr Gaḷri, brññ tgɖr tu xtrōdnri ātists fṛm dfṛnt jeṇrešnz hu fôc̣s on pfwmns, ɖ bodi n lanĝj.”
Continue reading MARINA ABRAMOVIĆ: 512 HOURS │ Serpentine Gallery, London → 25 August 2014