CLIVE HEAD Les Souvenirs du Cafe Anglais (work in progress), 2014, 198 x tbc cm
Clive Head: Looking Glass, 2014. Oil on canvas, 195.6 x 208.3 cm
Philip Harris: Arizona Bloom, 2014. 1525 x 3050, oil on Linen.
Caroline Walker: Consulting the Oracle, 2013. Oil on linen, 193 x 175 cm.
ALAN MACDONALD The Candy Man, 2013, 190.5 x 215.9 cm
Alan Macdonald: Spam Dragon, 2013. Oil on linen, h. 190 x w. 214 cm
Gwen Hardie: Body 03.20.12, 2012, 76.2 cm diam.
ALISON WATT Black Star, 2012, 183 x 183 cm, Ingleby Gallery
Ray Richardson: Our Side of the Water, 2012. Oil on linen, h. 137 x w. 127 cm
KATARZYNA COLEMAN Admiralty Road 1, 2012, 70 x 90 cm
KATARZYNA COLEMAN Admiralty Road 2, 2012, 70 x 90 cm
Chris Stevens: The Age of Reason or Salem’s Lot, 2011. Oil on canvas. 170 x 180 cm
Chris Stevens: Anthem to an Embittered Youth, 2011, 170 x 180 cm, Courtesy of the artist 170 x 180 cm
GWEN HARDIE Body 06.29.11, 2011, 76.2 cm diam.
David Hepher: Tree, 2011. Oil, acrylic, inkjet and concrete on canvas, h. 208 x w. 810 cm
KEN CURRIE Dirty King, 2011, 275 x 198.5 cm, Flowers Gallery
KEN CURRIE Hunting Lodge, 2011, 244 x 366 cm, Flowers Gallery
JOCK MCFADYEN Tate Moss, 2010, 200 x 300 cm
SAM JACKSON Querelle, 2009, 60 x 60 cm, Private Collection
SAM JACKSON Vas Defrens, 2009, 60 x 60 cm, Private Collection
SAM JACKSON Young Gorbachev, 2009, 60 x 60 cm, Private Collection
Gwen Hardie: Body 03.30.09, 2009, 91.4 x 76.2 cm
ALISON WATT Hollow, 2009, 183 x 183 cm, Ingleby Gallery
RAY RICHARDSON Everything is Everything, 2005, 106 x 97 cm
CECILY BROWN Maid’s Day Off, 2005, 200.7 x 198.1 cm, Hiscox Collection
JOHN KEANE Inconvenience of History II, 2003, 86 x 122 cm, Flowers Gallery
George Shaw: Scenes from the Passion: Late, 2002. Enamel paint on board, 917 x 1215 x 52 mm. Collection: Tate
JOHN KEANE Hopeless in Gaza (Road to a Settlement), 2002, 137 x 183 cm, Flowers Gallery
DEXTER DALWOOD Grosvenor Square, 2002, 268 x 347 cm, Saatchi Collection
Philip Harris: S.P Behind a Glass Door, 2001. Oil on linen, 132 x 305 cm (unframed). Photograph: John Jones.
George Shaw: Scenes from the Passion (The Path on the Edge), 1997-8. Enamel on panel, 43 x 53 cm. Collection: Royal College of Art
Chantal Joffe: Untitled (Face), 1994. Oil & acrylic or alkyd (?) on canvas, 132.5 x 109.1 cm. Collection: Royal College of Art
GRAHAM CROWLEY No Such Thing, 1993, 168 x 240 cm, Courtesy of the artist
Lucian Freud: Standing by the Rags, 1988–9. Oil on canvas, 1689 x 1384 mm, frame: 1810 x 1505 x 84 mm. Collection: Tate
GRAHAM CROWLEY The Chain Store, 1987, 203 x 254 cm, Middlesbrough Council/MIMA
PAULA REGO Snare, 1987, 150 x 150 cm, British Council
TONY BEVAN Tender Possessions, 1986, 210.5 x 119.5 cm, British Council
TERRY SETCH Once Upon a Time there was Oil III, Panel I, 1981-2, Tate
Jock McFadyen: The Street, 1980. Oil on canvas, h. 173 x w. 173 cm
DAVID HOCKNEY My Parents, 1977, 194 x 194.1 cm, Tate
L.S. LOWRY Bargoed, 1965, 122.2 x 151.7 cm, The L.S. Lowry Collection
Francis Bacon: Study for Portrait of P.L. No2, 1957. Collection: Sainsbury Centre for Visual Arts
Carel Weight: Fury, 1956. Oil on canvas, 92 x 122 cm. Collection: Herbert Art Gallery & Museum, Coventry
JOHN BRATBY Dustbins in the Studio, 1954, 112 x 101 cm, Royal College of Art Collection
STANLEY SPENCER Self-portrait with Patricia Preece, 1937, 61 x 91.2 cm, The Fitzwilliam Museum
Walter Sickert: Ennui, 1917. Oil on canvas, h. 76 x w. 56 cm
“Kretd bî ātist Cris Stīvnz, RIAḶTI brñz tgɖr ovr 50 wrcs seḷbretñ ɖ streñʈ v Britiš pêntñ, wɖ sm v ɖ bst n most influenšl ātists v ɖ last sixti yirz.
Uncompṛmîzñ n drct, ɖ wrc v č ātist reprizntd rtenz a stroñ refṛns t ɖ riyl wrld, ɖ stuf v lîf. Ẇl, t an xtnt, pêntñ hz bn iclipst in rīsnt decedz bî ɖ Miniml n Cnsepčl muvmnts, insṭlešn, ftogṛfi n film, RIAḶTI testifîz t ɖ svîvl v pêntñ az a mīdı̣m, n ɖ impact v Britiš pêntñ tde.
Mêjr 20ʈ Senčri ātists r reprizntd, sč az Woltr Sic̣t, Fransis Bêcn, Lūšn Frýd n Dêvid Hocni, alñsd cntmprri pêntrz includñ Cen Curi, Jwj Šw n Caṛlîn Wōcr.
Ɖ ātists in RIAḶTI tacl a dvrs renj v subjcts, refṛnsñ ɖ bodi, rlešnšps, histri, poḷtcs, wor, ɖ ŕbn invîrnmnt n sošl išuz. Dspt ɖz dfṛnt refṛnsz, ɖ wrcs r ol ynîtd bî tu ʈñz – ɖ hāš riaḷtiz ɖt hv cnsrnd ci Britiš ātists ovr ɖ decedz n ɖ simpl act v pêntñ.
HR PRITIIST SMÎL│2012│Wōtrculr on pêpr│52 x 35.6 sm
Đ FAT CC│2012│Wōtrculr on pêpr│52 x 35.6 sm
HUZBND ḄRÊTS WÎF│2012│Wōtrculr on pêpr│52 x 35.6 sm
Đ ƮNCS│2012│Wōtrculr on pêpr│52 x 35.6 sm
Đ FAĐR DÎZ│2012│Wōtrculr on pêpr│52 x 35.6 sm
Đ BUẒDZ│2012│Wōtrculr on pêpr│52 x 35.6 sm
MCÑ Đ SŪP│2012│Wōtrculr on pêpr│52 x 35.6 sm
AT Đ DINRTEBL│2012│Wōtrculr on pêpr│52 x 35.6 sm
Đ HÓULI LAND│2013│Pastl on pêpr│159.5 x 120 sm
MẸRI MCS GLUVZ│2013│Pastl on pêpr│80 x 100 sm
SIC V IT OL│2013│Wōtrculr on pêpr│52 x 35.6 sm
WN LIMPIT│2013│Wōtrculr on pêpr│52 x 35.6 sm
ÂR LÊDI V SOROZ│2013│Pastl on pêpr│129.5 x 110 sm
DRĪM│2013│Pastl on pêpr│180 x 119.5 sm
Đ PRFCT SŪP│2013│Wōtrculr on pêpr│52 x 35.6 sm
SEṚNÊD│2013│Pastl on pêpr│109.2 x 129.5 sm
FOṚJÑ│2013│Wōtrculr on pêpr│52 x 35.6 sm
GT ÂT V HIR Y N YR FILƮ│2013│Pastl on pêpr│120 x 160 sm
MĪTÑ ADÊŁA│2013│Pastl on pêpr│120 x 160 sm
DINRPĀTI│2013│Pastl on pêpr mântd on alymiňm│120 x 180 sm
MAGPÎ│2014│Pastl on pêpr│160.2 x 120.2 sm
GÊBI│2014│Pastl on pêpr│100.3 x 80.3 sm
ROWÑ FṚM ERISÊRA│2014│Pastl on pêpr│240 x 120.2 sm
BRÎDZMÊD│2014│Pastl on pêpr│100.3 x 80.3 sm
Đ CÑ’Z DEƮ│2014│Pastl on pêpr│119.4 x 180.3 sm
“Mālbra Fîn Āt z plizd t anâns an xibišn v ny wrc bî Pâla Rêgu. Ɖ xibišn cmprîzz ʈri ny siriz v pastlz n wōtrculrz. Č siyriz xplorz a sepṛt n cmpelñ stwri ɖt z cnsrnd wɖ n inspîrd bî Pwčgl, ɖ plês v Rêgu’z brʈ.
Ɖ Last Cñ v Pwčgl, aftr ẇč ɖ xibišn z nemd, z a siriz v pastlz fôc̣sñ on ɖ lîf v Manuel II, hu wz crând cñ in 1908 at ɖ êj v 19 folowñ ɖ asasinešn v hiz faɖr Cñ Cāḷs I. H wz nôn az Ɖ Pêtrı̣t n hiz rein lastd onli tu yirz, endñ in 1910 wɖ ɖ Rpublicn revlušn n rzultnt diṣlušn v ɖ moṇci. H fled t Britn, ẇr h rmend in exîl fr ɖ rest v hiz lîf. H marid ɖ Prinses Ōgŭsta Victoria v Hownzoḷn-Sigmarñgn n ɖe livd tgɖr in Twicnm untl hiz deʈ in 1932. Manuel dd nt rtrn t Pwčgl in hiz lîftîm, bt a Lizbn stêtfynṛl wz oʈ̇rîzd bî Prîm̦inistr Antoniu Olivera d’Saḷzar.
Ɖ secnd siriz v pêntñz z bêst on Ɖ Relic, an 1887 novl bî Pwčgīz oʈr Esa d’Cêrož, ẇč tlz ɖ stwri v antīhiro Tioḍrīcu Rpozu hu dsivz hiz welʈi, pays ānt in ōdr t inšur hr ričz r bqiɖd t hm. T plīz hiz ānt n t rid hmslf v hiz unfeʈfl mistris, h imbācs on a jrni t ɖ Hóuli Land in srč v ɖ rlijs relic aftr ẇč ɖ siriz z nemd. Ɖ oʈr hz olwz bn wn v Pâla Rêgu’z fevrit Pwčgīz novlists. Anɖr wn v hiz novlz, Ɖ Sinz v Faɖr Amāru, wz ɖ subjct v wn v hr fînist siriz v pastlz, ẇč wz xibitd at ɖ Dulij Picčrgaḷri in 1998.
Fr ɖ ʈrd grūp v wrcs Pâla Rêgu iḷstrets a ny bc in ẇč hr dwtr Caṛlîn Wilñ rtelz ɖ tṛdišnl fôctel Stônsūp, ẇč hz xistd in nymṛs incānešnz arnd ɖ wrld fr senčriz. In it a yuñ fīmel pṛtaġnist sevz hrslf fṛm stāvešn bî âtwitñ a grūp v vilijrz intu pṛvîdñ hr wɖ ingrīdı̣nts fr a sūp ɖt in ɖ end z ebl t fīd ɖm ol. Rêgu n Wilñ’z vršn z riimajind in a ny contxt bî ʈrtīn wōtrculr-n-ñc pêntñz ɖt r sjstv v Pwčgīz landsceps n ācitecčr. Mč v Rêgu’z wrc cnsrnz fôctelz, ɖer cnsistnt abiḷti t indyr n rny. In ɖz wrcs, a cast v xpresv figrz ngošiet ɖ bândri btwn caric̣čr n fiğṛtv abstraẋn in a manr ɖt z tipicl v Rêgu’z duḅlejd ṣtiricl stîl. Ɖ frīqnt inclužn v animlfigrz in ɖ wrcs olso pṛvîdz cmpelñ n ambiğs fŷlz t ɖ hymn cast.
Ɖ xibišn wl côinsîd wɖ a publicešn v Stônsūp bî ɖ Eniʈāmn Pres, n Mālbra wl publiš a fŭli iḷstretd caṭlog v ɖ xibišn.”
