Tag Archives: Peter Lanyon

ST IVES AND BRITISH MODERNISM: THE GEORGE AND ANN DANNATT COLLECTION │ Pallant House, Chichester → 20 September 2015

Wilhelmina Barns-Graham, St Ives, pencil on paper
Wilhelmina Barns-Graham, St Ives, pencil on paper

GALLERY

ARTISTS INCLUDE
George DannattTerry Frost, Roger Hilton, Peter Lanyon, Ben Nicholson, Ceri RichardsWilhelmina Barns-Graham, John Tunnard

Ceri Richards: The Hand that Whirls the Waters in the Pool, 1945, lithograph.
Ceri Richards: The Hand that Whirls the Waters in the Pool, 1945, lithograph.

ART DAILY

“A fasinetñ insît intu hâ an artist formd a c̣lẋn ẃć in trn inflụnst hiz ôn artwrcs”
Sîmn Martin

Continue reading ST IVES AND BRITISH MODERNISM: THE GEORGE AND ANN DANNATT COLLECTION │ Pallant House, Chichester → 20 September 2015

ABSTRACT BRITAIN: HEPWORTH TO HODGKIN │ Higgins, Bedford → 27 September 2015

GALLERY

ARTISTS INCLUDE
Gillian Ayres, Robyn Denny, Barbara Hepworth, Howard HodgkinPeter LanyonBen Nicholson, Victor Pasmore, Bridget Riley, William Scott

“In Britn, Abstraẋn wz nvr a sngl muvmnt, bt a dazlñ vrayti v stîlz bî artists hu yzd non-fiğṛtv reprizenteśn fr vri dfṛnt rīznz”

Continue reading ABSTRACT BRITAIN: HEPWORTH TO HODGKIN │ Higgins, Bedford → 27 September 2015

INTERNATIONAL EXCHANGES: Modern art and St Ives 1915–1965 │ Tate St Ives → 28 September 2014

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Nicolas de Staël, COIN D’ATELIER FOND BLEU, 1955

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Pītr Laňn, GĀDNLĪVZ, 1955

Inṭnašnl Xčenjz: Modn Āt n St. Îvz 1915–1965 xplorz ɖ wîdr našnl n inṭnašnl contxts ẇč šêpt āt in St Îvz in ɖ 1940z, 50z n 60z. Az pāt v a siriz v xibišnz xplorñ ɖ histriz n leġsiz v āt in St. Îvz līdñ p t ɖ ôpnñ v ɖ ny dsplêgaḷriz in 2016, ɖ xibišn pzišnz St. Îvz āt wɖn wîdr isʈetc cnsrnz n brwdr criticl pspctvz ɖn ɖ mr fmiłr îdiyz v landscep n plês ɖt šêp âr vy v ɖ ātists’ coḷni.

Ɖ xibišn wl šo hâ ɖ āt v pôstwor St. Îvz dru upn tu tṛjectriz v modn āt: wn ɖ ytopı̣n îdiylz v cnstructivizm fṛm Mosco in ɖ 1910z ʈru Brlin n Paris btwn ɖ worz; n ɖ uɖr a tṛdišn v craft n ɖ hand-md ɖt ynîts ɖ cāvñz v Brancūzi n ɖ sramics v Brṇd Līč n uɖrz. Mêjr wrcs bî Pītr Laňn, Patric Heṛn n uɖrz wl olso b sīn alñsd ɖt v ɖer cntmprriz fṛm elsẇr in Yṛp, Nwʈ America n bynd t pzišn ɖer āt wɖn wîdr fwml, tecnicl n fiḷsoficl dbets.

Ɖ xibišn wl includ significnt lounz fṛm public n prîvt c̣lẋnz in ɖ YC n abrwd. In riivalyetñ ptklr daylogz btwn ɖz ci Britiš moḍnists n ɖer cntmprriz in Yṛp, Nwʈ America n Jpan, ɖ em z nt t dsrigād ɖ comnli held impwtns v ɖ lcešn n ātistc netwrc v St. Îvz, bt t sičuet ātists’ ingejmnt wɖ ɖt plês wɖn wîdr, glôbl ātistc n isʈetc cnsrnz.”

http://www.tate.org.uk/whats-on/tate-st-ives/exhibition/international-exchanges-modern-art-and-st-ives-1915-1965

http://www.tate.org.uk/context-comment/articles/abstraction-sans-frontieres