Tag Archives: Wall Street International

DAVID ROBERTS: DRAWINGS FROM THE HELEN GUITERMAN BEQUEST │ Scottish National Gallery, Edinburgh → 14 June 2015

GALLERY • ARTIST

“Dêvid Robts wz wn v ɖ most advnćṛs, pṛlific n sxesfl Britiś artists v ɖ frst haf v ɖ nîntīnʈ senćri. Bst noun fr hiz intrepid travlz, h wz amñ ɖ frst Britiś artists t mc xtnsv turz v ɖ Nir n Midl Īst.”

Barry Didcock HERALD SCOTLAND 15 February 2015
Wall Street International

Scotland

SIMON MARTIN: UR FEELING │ Camden Arts Centre, London → 21 June 2015

Photo: Valerie Bennett
Photo: Valerie Bennett

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Hunger TV, 17 May 2015
Ben Luke, London Evening Standard, 30 April 2015
Art Daily
Camden50
Culture Whisper
Time Out
Wall Street International


ETC.

Continue reading SIMON MARTIN: UR FEELING │ Camden Arts Centre, London → 21 June 2015

GERARDO DOTTORI: THE FUTURIST VIEW │ Estorick Collection of Modern Italian Art, London → 7 September 2014

“Žrādo Dtwri (1884-1977) wz wn v ɖ pivtl figrz v Itałn Fyčrizm jrñ ɖ inṭwor yirz. Hiz xpansv n intnsli ṗetc vižnz v ɖ Umbrịn landscep, vyd fṛm abv, wr amñ ɖ ŕliist n most strîcñ xamplz v ẹropentñ – ɖ dominnt trend wɖn Fyčrist āt ʈrt ɖ 1930z, xplorñ ɖ dnamic pspctvz ofrd bî flît.

Dtwri wz born in Ṗrūjia n studid at ɖ siti’s Acaḍmīa di Bel Āte, ẇr h rvild hmslf t b a ṣprbli acumplišt draftsmn. Arnd 1904 h bgan t xperimnt wɖ Divižnizm (Iṭli’z dstñtv rspons t Niôimprešnizm) ẇč intṛdyst a nyfând sens v sponṭneyti n xūbṛns intu hiz āt, liḅretñ hm fṛm ɖ rstriẋnz v hiz ac̣demic trênñ. Dtwri’z rbełs tempṛmnt md hm načṛli rsptv t ɖ sbvrsv spirit v F. T. Marineti’z Fyčrist muvmnt, ẇč h jŷnd in 1912.

Fyčrizm z most clôsli asošietd wɖ its seḷbrešn v ɖ flux n dîṇmizm v ɖ modn industrı̣l êj – ẇč prmiets Dtwri’z imijri. Hvr, h olso rmend dīpli atačt t hiz nêtv rījn v Umbria n its luš, undyletñ landscep, frīqntli xpresñ hiz prefṛns fr ɖ stilṇs v ɖ cuntrīsîd n ɖ mântinz t ɖ defnñ nýz v bg sitiz. Ẇlst ɖs mt sīm a paṛdoxicl stans fr a Fyčrist t adopt, ɖ muvmnt in fact ofrd ātists significnt latityd in ɖer intrpṛtešn v its îdiyz, prîzñ iṇvešn n crietv vîtaḷti abv ol els. Consiqntli, Dtwri wz ebl t xpres hiz Fyčrist senṣbiḷti ʈru imijri xplorñ ɖt ynivrsl dîṇmizm apaṛnt in ɖ wrcñz v nêčr, ɖ hymn bodi n ɖ cozmos, az wel az ɖt jeṇretd bî mšinri.

Dtwri’z grtst contribyšn t Fyčrist isʈetcs wz hiz dstñtv intrpṛtešn v ẹropentñ. In fact, a nmbr v hiz wrcs v ɖ 1920z cn b sed t hv antisipetd ɖ žãra’z cnsrnz, incapsyletd in ɖ ḅlif ɖt ɖ čenjñ pspctvz v flît constityt an abṣlutli ny riaḷti, wn ɖt hz nʈñ in comn wɖ ɖ riaḷti tṛdišnli constitytd bî ŕʈ-bând pspctvz. Wɖ ɖer swīpñ paṇrāṃz n dstwtd hrîznz, sjstñ ɖ crvčr v ɖ ŕʈ, Dtwri’z ẹropentñz r infyzd wɖ an atṃsfir v sreṇti n lirisizm ɖt z ynīc in Fyčrist āt.

Drōñ on wrcs fṛm a nmbr v public n prîvt c̣lẋnz, Ɖ Fyčrist Vy pṛvîdz an oʈorittv srve v ɖ c̣rir v wn v Fyčrizm’z most significnt n dstñtv ātists.”

GAḶRI WEBSAIT

Continue reading GERARDO DOTTORI: THE FUTURIST VIEW │ Estorick Collection of Modern Italian Art, London → 7 September 2014

RYAN GANDER: MAKE EVERY SHOW LIKE IT’S YOUR LAST │ Manchester Art Gallery → 14 September 2014

Mc evri šo lîc it’s yr last, z a mêjr xibišn v wrc bî rnând Britiš cnspčl ātist, Rayn Gandr. Đs šo z pāt v an inṭnašnl turprôgram, bt wl têc on a spešl ny fwm ẇn it z stêjd in Mančestr, prizntñ ny wrc n wrc prīvı̣sli unsin in ɖ YC.

Gandr studid in Mančestr fr hiz undrgrajt dgri n wl b iḷstretñ hiz clôs cnẋn t ɖ siti ʈru ny wrc crietd xclusvli fr s. Đ xibišn wl xplor tu rīsnt ʈīmz in Gandr’z wrc; Imajinirñ n Culčrfīld. Brññ tgɖr verı̣s mīdia t hîlît ɖ ātist’s plêfl wit, ɖ ātwrcs in ɖs xibišn wl xplor ɖ rlešnšps btwn ōʈr, wrc n vywr ẇr ɖ rūlz r constntli rīdifînd.”

GAḶRI WEBSAIT

Continue reading RYAN GANDER: MAKE EVERY SHOW LIKE IT’S YOUR LAST │ Manchester Art Gallery → 14 September 2014