Tag Archives: Walter Sickert

SICKERT IN DIEPPE │ Pallant House, Chichester → 4 October 2015

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L’Hotel Royal, Dieppe, 1894, Museums Sheffield
L’Hotel Royal, Dieppe, 1894, Museums Sheffield

GALLERY • ARTIST

“Demnstretñ ɖ artist’s vivid intrest in evrde lîf in Diep, t ẃć h wz a reğlr vizitr fr ovr for decedz n a prmnnt rezidnt fṛm 1898–1905”

La Plage, Dieppe, c.1885. Manchester City Galleries
The Red Shop (October Sun), c.1888. Norwich Castle Museum and Art Gallery
The Theatre of the Young Artists, 1890
La Rue Pecquet, 1900. Birmingham Museums Trust
The Façade of St Jacques, Dieppe, 1902. Private collection
Statue of Duquesne, Dieppe, 1902
The Fair at Night, c.1902
The Café Suisse (Café des Arcades, Dieppe), 1914 Leeds Museums and Galleries
The Obelisk, 1914. Abbot Hall Art Gallery, Kendal
The Blind Sea Captain, 1914. Private collection, Belgium
Au Café Concert, Vernet’s Dance Hall, 1920. Daniel Katz Gallery, London
Victor Lecourt, 1921-24. Manchester City Galleries
O Nuit d’Amour, c.1922. Manchester City Galleries
The System, 1924-26. Scottish National Gallery of Modern Art
Dieppe Races, 1920-26. Birmingham Museums Trust

Martin Gayford SPECTATOR 22 August 2015
Jackie Wullschlager FINANCIAL TIMES 3 July 2015
TELEGRAPH

Continue reading SICKERT IN DIEPPE │ Pallant House, Chichester → 4 October 2015 →

GREAT BRITISH DRAWINGS │ Ashmolean Museum, Oxford → 31 August 2015

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George Augustus Wallis, The Ruins of Selinunte, c. 1792, pen and brown ink and watercolour and bodycolour over unfinished etched outline
George Augustus Wallis, The Ruins of Selinunte, c. 1792, pen and brown ink and watercolour and bodycolour over unfinished etched outline

GALLERY

ARTISTS INCLUDE
Anna Alma-Tadema, Max Beerbohm, Samuel Cooper, Thomas Gainsborough, LS Lowry, John Everett Millais, David Hockney, William Holman Hunt, Gwen John, Samuel Palmer, Tom Phillips, Dante Gabriel Rossetti, Thomas Rowlandson, Walter Sickert, JMW Turner, George Augustus Wallis

“Śôcesñ mr ɖn wn hundṛd wrcs bî sm v Britn’z grtst artists”

“Đ xbiśn v Grt Britiś Drw̃z cn onli scrać ɖ srfis v ɖ xtrordnri rićz v ɖ Aśmołn’z c̣lẋnz. It wl pṛvîd ɖ vizitr wɖ an unpaṛleld oṗtyṇti t xplor ɖ amezñ vrayti v drw̃ in Britn, from ɖ rapid sceć in pensl or pen, t ɖ most hîli ròt wōtrculr.”
Colin Harisn, Sīńr Kretr v Yṛpiyn Art

John Sell Cotman: A Ruined House, watercolour over graphite, Ashmolean
Thomas Rowlandson: The Corsican, his two friends and his blood hounds. Pen and brown ink and watercolour over indications in graphite
Thomas Rowlandson: The Portrait Painter’s Ante-room, 1809
Joseph Mallord William Turner: Venice: The Riva degli Schiavoni, 1840
Samuel Palmer: Tintagel Castle: Approaching Rain, c. 1848‒1849
Dante Gabriel Rossetti: Louisa Ruth Herbert, 1858
Max Beerbohm: Oscar Wilde, 1894
Anna Alma-Tadema: Girl in a Bonnet with her Head on a Blue Pillow, 1902
Walter Richard Sickert: Study for ‘Ennui’: Hubby and Marie, c.1913
Lawrence Stephen Lowry: Street in Ramsbottom, 1954

Stuart Macbeth OXFORD MAIL 2 April 2015
Sandra Smith LADY
WALL STREET INTERNATIONAL

Continue reading GREAT BRITISH DRAWINGS │ Ashmolean Museum, Oxford → 31 August 2015 →

ONE DAY, SOMETHING HAPPENS: PAINTINGS OF PEOPLE │ Nottingham Castle Museum & Art Gallery → 6 September 2015

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Lynette Yiadom-Boakye: Condor and the Mole, 2011
Lynette Yiadom-Boakye: Condor and the Mole, 2011

GALLERY

ARTISTS INCLUDE
Peter Blake, Enrico David, Lucian Freud, Alasdair Gray, David Hockney, David Noonan, Paula Rego, Walter Sickert, Lynette Yiadom-Boakye

“Tizñ ât comn ʈīmz acrs ɖ decedz: wrc, intṛspẋn n indivijuaḷti, jý n lônliṇs” 

Milena Dragicevic: Supplicant 101, 2009
Lucian Freud: Girl in a Green Dress, 1954
Walter Sickert: Head of a Woman, 1906

Continue reading ONE DAY, SOMETHING HAPPENS: PAINTINGS OF PEOPLE │ Nottingham Castle Museum & Art Gallery → 6 September 2015 →

DRAWING THE NUDE: FROM MANET TO AUERBACH │ Pallant House Gallery, Chichester → 19 July 2015

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Frank Auerbach, Nude Seated on a Folding Chair, 1954, Pallant House Gallery
Frank Auerbach, Nude Seated on a Folding Chair, 1954, Pallant House Gallery

GALLERY

ARTISTS INCLUDE
Michael Andrews, Frank Auerbach, William Coldstream, Peter de Francia, Eric Gill, Édouard Manet, Walter Sickert, Leon Underwood

“Xplorñ hâ a renj v modn n historic artists dpictd ɖ hymn form, trêsñ ɖ reprizenteśn v ɖ bodi in art fṛm ɖ clasicl îdiyl t riylist figrstudiz”

Edouard Manet, Olympia, 1867, Etching and aquatint on paper, Pallant House Gallery
Edouard Manet, Olympia, 1867, Etching and aquatint on paper, Pallant House Gallery

South East

REALITY: Modern & Contemporary British Painting │ Sainsbury Centre for Visual Arts, Norwich → 1 March 2015

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CLIVE HEAD Les Souvenirs du Cafe Anglais (work in progress), 2014, 198 x tbc cm
Clive Head: Looking Glass, 2014. Oil on canvas, 195.6 x 208.3 cm
Philip Harris: Arizona Bloom, 2014. 1525 x 3050, oil on Linen.
Caroline Walker: Consulting the Oracle, 2013. Oil on linen, 193 x 175 cm.
ALAN MACDONALD The Candy Man, 2013, 190.5 x 215.9 cm
Alan Macdonald: Spam Dragon, 2013. Oil on linen, h. 190 x w. 214 cm
Gwen Hardie: Body 03.20.12, 2012, 76.2 cm diam.
ALISON WATT Black Star, 2012, 183 x 183 cm, Ingleby Gallery
Ray Richardson: Our Side of the Water, 2012. Oil on linen, h. 137 x w. 127 cm
KATARZYNA COLEMAN Admiralty Road 1, 2012, 70 x 90 cm
KATARZYNA COLEMAN Admiralty Road 2, 2012, 70 x 90 cm
Chris Stevens: The Age of Reason or Salem’s Lot, 2011. Oil on canvas. 170 x 180 cm
Chris Stevens: Anthem to an Embittered Youth, 2011, 170 x 180 cm, Courtesy of the artist 170 x 180 cm
GWEN HARDIE Body 06.29.11, 2011, 76.2 cm diam.
David Hepher: Tree, 2011. Oil, acrylic, inkjet and concrete on canvas, h. 208 x w. 810 cm
KEN CURRIE Dirty King, 2011, 275 x 198.5 cm, Flowers Gallery
KEN CURRIE Hunting Lodge, 2011, 244 x 366 cm, Flowers Gallery
JOCK MCFADYEN Tate Moss, 2010, 200 x 300 cm
SAM JACKSON Querelle, 2009, 60 x 60 cm, Private Collection
SAM JACKSON Vas Defrens, 2009, 60 x 60 cm, Private Collection
SAM JACKSON Young Gorbachev, 2009, 60 x 60 cm, Private Collection
Gwen Hardie: Body 03.30.09, 2009, 91.4 x 76.2 cm
ALISON WATT Hollow, 2009, 183 x 183 cm, Ingleby Gallery
RAY RICHARDSON Everything is Everything, 2005, 106 x 97 cm
CECILY BROWN Maid’s Day Off, 2005, 200.7 x 198.1 cm, Hiscox Collection
JOHN KEANE Inconvenience of History II, 2003, 86 x 122 cm, Flowers Gallery
George Shaw: Scenes from the Passion: Late, 2002. Enamel paint on board, 917 x 1215 x 52 mm. Collection: Tate
JOHN KEANE Hopeless in Gaza (Road to a Settlement), 2002, 137 x 183 cm, Flowers Gallery
DEXTER DALWOOD Grosvenor Square, 2002, 268 x 347 cm, Saatchi Collection
Philip Harris: S.P Behind a Glass Door, 2001. Oil on linen, 132 x 305 cm (unframed). Photograph: John Jones.
George Shaw: Scenes from the Passion (The Path on the Edge), 1997-8. Enamel on panel, 43 x 53 cm. Collection: Royal College of Art
Chantal Joffe: Untitled (Face), 1994. Oil & acrylic or alkyd (?) on canvas, 132.5 x 109.1 cm. Collection: Royal College of Art
GRAHAM CROWLEY No Such Thing, 1993, 168 x 240 cm, Courtesy of the artist
Lucian Freud: Standing by the Rags, 1988–9. Oil on canvas, 1689 x 1384 mm, frame: 1810 x 1505 x 84 mm. Collection: Tate
GRAHAM CROWLEY The Chain Store, 1987, 203 x 254 cm, Middlesbrough Council/MIMA
PAULA REGO Snare, 1987, 150 x 150 cm, British Council
TONY BEVAN Tender Possessions, 1986, 210.5 x 119.5 cm, British Council
TERRY SETCH Once Upon a Time there was Oil III, Panel I, 1981-2, Tate
Jock McFadyen: The Street, 1980. Oil on canvas, h. 173 x w. 173 cm
DAVID HOCKNEY My Parents, 1977, 194 x 194.1 cm, Tate
L.S. LOWRY Bargoed, 1965, 122.2 x 151.7 cm, The L.S. Lowry Collection
Francis Bacon: Study for Portrait of P.L. No2, 1957. Collection: Sainsbury Centre for Visual Arts
Carel Weight: Fury, 1956. Oil on canvas, 92 x 122 cm. Collection: Herbert Art Gallery & Museum, Coventry
JOHN BRATBY Dustbins in the Studio, 1954, 112 x 101 cm, Royal College of Art Collection
STANLEY SPENCER Self-portrait with Patricia Preece, 1937, 61 x 91.2 cm, The Fitzwilliam Museum
Walter Sickert: Ennui, 1917. Oil on canvas, h. 76 x w. 56 cm

“Kretd bî ātist Cris Stīvnz, RIAḶTI brñz tgɖr ovr 50 wrcs seḷbretñ ɖ streñʈ v Britiš pêntñ, wɖ sm v ɖ bst n most influenšl ātists v ɖ last sixti yirz.

Uncompṛmîzñ n drct, ɖ wrc v č ātist reprizntd rtenz a stroñ refṛns t ɖ riyl wrld, ɖ stuf v lîf. Ẇl, t an xtnt, pêntñ hz bn iclipst in rīsnt decedz bî ɖ Miniml n Cnsepčl muvmnts, insṭlešn, ftogṛfi n film, RIAḶTI testifîz t ɖ svîvl v pêntñ az a mīdı̣m, n ɖ impact v Britiš pêntñ tde.

Mêjr 20ʈ Senčri ātists r reprizntd, sč az Woltr Sic̣t, Fransis Bêcn, Lūšn Frýd n Dêvid Hocni, alñsd cntmprri pêntrz includñ Cen Curi, Jwj Šw n Caṛlîn Wōcr.

Ɖ ātists in RIAḶTI tacl a dvrs renj v subjcts, refṛnsñ ɖ bodi, rlešnšps, histri, poḷtcs, wor, ɖ ŕbn invîrnmnt n sošl išuz. Dspt ɖz dfṛnt refṛnsz, ɖ wrcs r ol ynîtd bî tu ʈñz – ɖ hāš riaḷtiz ɖt hv cnsrnd ci Britiš ātists ovr ɖ decedz n ɖ simpl act v pêntñ.

RIAḶTI: Modn n Cntmprri Britiš Pêntñ fīčrz wrcs fṛm ɖ folowñ ātists: 

Fransis Bêcn, Tôni Bevn, Jon Bratbi, Sesili Brân, Caṭžīna Colmn, Greym Crôli, Cen Curi, Dextr Dwlwŭd, Lūšn Frýd, Anṭni Grīn, Ĝen Hādi, Filip Haris, Clîv Hed, Dêvid Hefr, Dêvid Hocni, Lūc Jaxn, Sam Jaxn, Šãtal Jof, Jon Cīn, L.S. Lâri, Aḷn Mcdonld, Joc McFadı̣n, Pâla Regu, Re Ričdsn, Teri Seč, Jwj Šw, Woltr Sic̣t, Stanli Spensr, Cris Stīvnz, Caṛlîn Wōcr, Alisn Wot, Caṛl Vêt”

GAḶRI WEBSAIT

Continue reading REALITY: Modern & Contemporary British Painting │ Sainsbury Centre for Visual Arts, Norwich → 1 March 2015 →