“Soňa Ḍlwne (1885–1979) wz a ci figr in ɖ Ṗrizı̣n avãgād n bcem ɖ Yṛpiyn dýen v abstract āt.

Ʈrt ɖ frst hāf v ɖ twentiiʈ senčri, š seḷbretd ɖ modn wrld v muvmnt, tecnoḷji n ŕbn lîf, xplorñ ny îdiyz abt culrʈiyri tgɖr wɖ hr huzbnd Robt Ḍlwne.

Ɖs wl b ɖ frst YC retṛspctv t ases ɖ bredʈ v hr vîbṛnt ātistc practis acrs a wîd renj v mīdia. It wl fīčr ɖ grândbrecñ pêntñz, txtîlz n cloɖz š md acrs a sixti-yir c̣rir, az wel az ɖ rzults v hr iṇvtv c̣laḅrešnz wɖ powts, coriogṛfrz n manyfacčrrz, fṛm Diagilev t Liḅti.

A nocât šo. (Êdrı̣n Srl, Ɖ Gādı̣n)

Ɖs šo mcs a pârfl āğmnt fr Ḍlwne az a tru radicl: ahd v hr tîm, ṣprīmli reḷvnt t ârs. (Ben Lūc, Īvnñ Standd)

Ḍlwne z wn v ɖ crūšl refṛnspýnts in modn āt n dzîn. VÔG”

Yellow Nude 1908 Musée des Beaux-Arts de Nantes, Nantes

Bag from beach set, 1922-3

Coat for Gloria Swanson, 1923-24. Photograph: Private Collection

Simultaneous Dresses (The three women), 1925. Museo Thyssen-Bornemisza, Madrid

Day coat, 1925

Court shoes, 1925. Photograph: Les Arts Décoratifs, Musée de la Mode et du Textile, Paris

Rhythm Colour no. 1076, 1939

Syncopated rhythm, so-called The Black Snake 1967 Musée des Beaux-Arts, Nantes, France

GAḶRI WEBSAIT

 ẆT ĐE SE

Victoria Sadlr, Đ HUFÑTN PÔST, 20 Êpṛl 2015
Caṛn Rait, Đ INDIPNDNT, 19 Êpṛl 2015
Lwra Cumñ, Đ OBZRVR, 18 Êpṛl 2015
Lāra Prenḍgast, Đ SPECTETR, 18 Êpṛl 2015
Ben Lūc, Đ LUNDN ĪVNÑSTANDD, 15 Êpṛl 2015
Aḷster Smāt, Đ TEḶGRAF, 14 Êpṛl 2015
Êdrı̣n Srl, Đ GĀDỊN, 13 Êpṛl 2015
ĀTFUND
CULČRẆISPR

26/05/2015