“Duncn Cambl (born Dublin, 1972) hz bn nominetd fr hiz contribyšn t Scotḷnd’s pviłn at ɖ Venis Bienāle. Rspondñ t Cris Mācr n Aḷn Rezne’z 1953 film Stačuz Olso Dî, Cambl’z It fr Uɖrz includd ny wrc bî coriogṛfr Mîcl Clāc.

Cambl mcs filmz abt contṛvršl figrz sč az ɖ Îriš ṗlitcl activist Brṇdet Devlin or ɖ qixotc car manyfacčrr Jon D’Lwrịn. Bî mixñ ācîvfŭtij n ny mtirı̣l, h qesčnz n čaḷnjz ɖ dokmntri fwm.

H’z a riyli cmpelñ film-mcr. I’v nôtist ɖt ẇn hiz filmz r šôn in gaḷriz ppl wl sit ʈru 45 minits n nwn wl līv.

Jenifr Higi, Frīz editr

Cira Filips hz bn nominetd fr hr sôlo xibišn at Ɖ Šôrūm, Lundn.

Filips wrcs wɖ ol cndz v prints: fṛm scrīnprints n txtîlz t fôtoz n wōlpêntñz. Š ofn wrcs c̣labṛtvli, trnsfwmñ ɖ gaḷri intu a wrcšop n involvñ uɖr ātists, dzînrz n lôcl cmyṇti grūps. Filips hz têcn inspirešn fṛm C̣rīta Cent (1918–1986), a pạnirñ ātist, edycetr n activist, hu riintrpṛtd ɖ advtîzñslôgnz n imijri v 1960z cnsymrculčr.

Fr ɖ xibišn ɖt wun hr ɖ nominešn, š trnd Lundn’z Ɖ Šôrūm gaḷri intu a printwrcšop, invîtñ dzînrz, ātists n lôcl wimin’z grūps t cm n mc prints wɖ hr. Born in Caṇda in 1976, š nâ livz in Glazgo.

Filips z a briłnt print-mcr hu imbyz ɖ mīdı̣m wɖ a frešṇs ɖt z rmāc̣bl, in pôstrz, prints n txtîlz.

Mŷra Jefri, Ɖ Scotsṃn

Jêmz Ričdz hz bn nominetd fr hiz contribyšn t Ɖ Insîcḷpīdic Paḷs at ɖ 55^ʈ Venis Bienāle.

Ričdz wīvz tgɖr hiz imotv filmz fṛm a dvrs renj v fând n orijinl fŭtij t xplor ɖ pležr v ɖ act v lcñ. Fând VHS vidio n ny imijri undrgo vẹriyñ levlz v mnipylešn n reṗtišn n, wɖ an acumṗniyñ sândtrac, hîtn ɖ imošnl n sîc̣lojicl renj v ɖ orijinl.

Born in 1983 in Cādif, Ričdz wz nominetd fr Rôzbud, ẇč includz clôsups v ātbcs in a Tôcio lîbrri – ɖ jenitelia scračt ât t cmplî wɖ sensršp lwz.

Ričdz jeṇrets mīnñ ʈru abundns, bî we v alužn, ilipsis n yṇti v tôn, ɖ lac v lejibiḷti cântrbaḷnst bî a stroñ sens v mūd.

Ɖ Ẇît Rvy

Tris Vona-Mišel hz bn nominetd fr hiz sôlo xibišn Pôstscript (Brlin) at Jan Mot, Bruslz.

Ʈru fast-pêst spôcn-wrd lîv pfwmnsz n ōdiôricwdñz Vona-Mišel (born Sâʈend, 1982) telz srkiṭs n multīleyrd stwriz. Acumṗnid bî a vižl script v slîdpṛjẋnz, fôtôcopiz n uɖr ifīṃra, hiz wrcs r caṛcṭrîzd bî fragmnts v inf̣mešn, dīturz n dedendz.

Sm or ol v ɖ ivnts in ɖz absrd têlz me nvr hv ocrd, yt ol r nretd wɖ a breʈls pswesvṇs so az t sīm tenttvli riyl.

Sam Ʈwn, Frīz”

GAḶRI WEBSAIT

A woman watches a video by Turner prize nominee Duncan Campbell at the awards’ exhibition, Tate Britain, London. Photograph: Will Oliver/EPA

Turner Prize 2014: a gallery employee watches a video by Turner Prize nominee Duncan Campbell at the Tate Britain in London, Britain, 29 September 2014. Photo: Will Oliver

Campbell’s It for Others combines archive footage and new material, including a new dance work by choreographer Michael Clark. Picture: Duncan Campbell/Rodeo Gallery/The Tate/PA

Duncan Campbell’s It for Others, 2013. Photograph: Courtesy of Duncan Campbell and Rodeo Gallery

Duncan Campbell, It for Others (2013 copyright the artist, Courtesy Tate Photography)

Things Shared by Ciara Phillips. Photograph: Guy Bell/REX

Ciara Phillips is the only artist who has not submitted a video installation this year

Colour and action: Ciara Phillips’s Things Shared 2014/ pic: Lucy Young

Ciara Phillips’s Things Shared (2014 copyright the artist, Courtesy Tate Photography)

Screenprinting: Ciara Phillips’s room features floor to ceiling prints in vivid colour / pic: Lucy Young

Ciara Phillips’s Things Shared 2014/ pic: Lucy Young

The installation ‘the Workshop (2010 – ongoing) 2013’ by Ciara Phillips. Picture: Daniel Brooke/The Tate/PA

The installation ‘the Workshop (2010 – ongoing) 2013’ by Ciara Phillips. Picture: Daniel Brooke/The Tate/PA

An image from Rosebud 2013, James Richards’ video installation on show at Tate Britain’s Turner Prize exhibition Photo: Rex Features

The Screen, 2013 by James Richards at Tate Britain. Photograph: Guy Bell/REX

A still from the film Rosebud 2013 by James Richards/Cabinet, London and Rodeo, Istanbul/The Tate/PA

James Richards’ black and white film installation ‘Rosebud’

James Richards’s Untitled Merchandise (Lovers and Dealers) / pic: Lucy Young

Tris Vonna-Michell’s Addendum 1 (Finding Chopin: Dans l’Essex) at the Turner prize exhibition at Tate Britain. Photograph: Graeme Robertson

Tris Vonna-Michell, nominated for his solo exhibition Postscript II (Berlin) at Jan Mot, Brussels. Tris Vonna-Michell/Cabinet, London and Jan Mott, Brussels/The Tate

Picture: Tris Vonna-Michell/Cabinet, London and Jan Mott, Brussels/The Tate

ĀTISTS’ WEBSAITS

DUNCN CAMBL • CIRA FILIPS • JÊMZ RIČDZ

ẆT ĐE SE

BBC ĀTS, 1 Dsembr 2014
Wil Gomprts, BBC ĀTS, 1 Dsmbr 2014
Đ TEḶGRAF, 20 Nvmbr 2014
Caṛn Gaṛt, ĀTLIST, 26 Octobr 2014
Joṇʈn Jônz, Đ GĀDỊN, 17 Octobr 2014
Mîcl Henḍsn, Đ TEḶGRAF, 10 Octobr 2014
Đ SCOTSMN, 6 Octobr 2014
Hy Toṃs, BBC NYZ, 1 Octobr 2014
Tabiš Cān, Đ LUNḌNIST, 1 Octobr 2014
Lwra Cumñ, Đ OBZRVR, 5 Octobr 2014
Valḍmar Yanŭsčac, Đ GĀDỊN, 30 Septmbr 2014
4 NYZ, 29 Septmbr 2014
Zôi Pilgr, Đ INDIPNDNT, 29 Septmbr 2014
Ričd Dwmnt, Đ TEḶGRAF, 29 Septmbr 2014
Anīta Sñ, Đ TEḶGRAF, 29 Septmbr 2014
Ben Lūc, Đ LUNDN ĪVNÑSTANDD, 29 Septmbr 2014

05/04/2015