The Sum of All Evil. 2012-3. Photograph: Felix Clay
The Sum of all Evil (detail), 2012-2013
The Sum of All Evil (detail). Photograph: Felix Clay
One Day You Will No Longer Be Loved (that it should come to this) XVII
One Day You Will No Longer Be Loved (that it should come to this) XVII, 2013
The Axminster of Evil, 2008
Little Death Machine (Castrated, Ossified). Bronze. 2006. Photograph: Felix Clay
Installation view. Photograph: Felix Clay
Dinos and Jake Chapman (L-R) stand in their installation Untitled at the Jerwood Gallery, Hastings Photograph: Felix Clay/Guardian
Dinos Chapman takes pen to skin during a for one-day only tattoo parlour in which people could get a distinctively Chapman tattoo. Photograph: Felix Clay/The Guardian
Jake and Dinos Chapman, Photo by Nic Serpell — Rand Photography
“A mêjr xibišn v wrc bî Jêc n Dīnos Čapmn, huz pṛvoc̣tv n confṛntešnl āt cntinyz t astoniš ɖ vywr.
Jêc n Dīnos Čapmn r amñ ɖ bst-nôn n most significnt Britiš ātists wrcñ tde. In ɖ Relm v ɖ Unmnšṇbl brñz tgɖr sm îconic pìsz fṛm ɖ last deced, alñ wɖ wrcs ɖt hv nt prīvịsli bn on public dsple, n ny wrcs crietd sṗsificli fr ɖs xibišn.
Jêc n Dīnos Čapmnz’ wrc z ptklrli cnsrnd wɖ cnsymrculčr, mwtaḷti, mraḷti, rlijn n horr. Ɖe cntiny t b inflụnst bî ɖ wrc v Fransisco Goia (1746–1828) n Žwž Batî (1897–1962), Sriylizm, filoṣfi, sîcoḷji, n ɖ hoḷcwst. In an xpšnl bodi v wrc ɖt incumṗsz a vast renj v ātfwmz n mīdia, Jêc n Dīnos Čapmn ingej wɖ funḍmntl qesčnz abt ẇt it z t b hymn.
